Mythology
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| Mythology is alive and well in the modern age through [[urban legends]], [[New Age]] beliefs, certain aspects of religion and so forth. In the [[1950s]] [[Roland Barthes]] published a series of essays examining modern myths and the process of their creation in his book ''[[Mythologies (book)|Mythologies]]''. Swiss psychologist [[Carl Jung]] (1873-1961) and his followers also tried to understand the psychology behind world myths. | Mythology is alive and well in the modern age through [[urban legends]], [[New Age]] beliefs, certain aspects of religion and so forth. In the [[1950s]] [[Roland Barthes]] published a series of essays examining modern myths and the process of their creation in his book ''[[Mythologies (book)|Mythologies]]''. Swiss psychologist [[Carl Jung]] (1873-1961) and his followers also tried to understand the psychology behind world myths. | ||
| ==Related concepts== | ==Related concepts== | ||
| - | Myths are not the same as [[fable]]s, [[legend]]s, [[Folklore|folktale]]s, [[fairy tale]]s, [[anecdote]]s or [[fiction]], but the concepts may overlap. Notably, during [[Romanticism]], folktales and fairy tales were perceived as eroded fragments of earlier mythology (famously by the [[Brothers Grimm]] and [[Elias Lönnrot]]). Mythological themes are also very often consciously employed in [[literature]], beginning with [[Homer]]. The resulting work may expressly refer to a mythological background without itself being part of a body of myths ([[Cupid and Psyche]]). The medieval [[Romance (genre)|romance]] in particular plays with this process of turning myth into literature. [[Euhemerus|Euhemerism]] refers to the process of rationalization of myths, putting themes formerly imbued with mythological qualities into pragmatic contexts, for example following a cultural or religious [[paradigm shift]] (notably the re-interpretation of pagan mythology following [[Christianization]]). | + | Myths are not the same as [[fable]]s, [[legend]]s, [[Folklore|folktale]]s, [[fairy tale]]s, [[anecdote]]s or [[fiction]], but the concepts may overlap. Notably, during [[Romanticism]], folktales and fairy tales were perceived as eroded fragments of earlier mythology (famously by the [[Brothers Grimm]]). Mythological themes are also very often consciously employed in [[literature]], beginning with [[Homer]]. The resulting work may expressly refer to a mythological background without itself being part of a body of myths ([[Cupid and Psyche]]). The medieval [[Romance (genre)|romance]] in particular plays with this process of turning myth into literature. [[Euhemerus|Euhemerism]] refers to the process of rationalization of myths, putting themes formerly imbued with mythological qualities into pragmatic contexts, for example following a cultural or religious [[paradigm shift]] (notably the re-interpretation of pagan mythology following [[Christianization]]). |
| - | Conversely, historical and literary material may acquire mythological qualities over time, for example the [[Matter of Britain]] and the [[Matter of France]], based on historical events of the 5th and 8th centuries, respectively, were first made into [[epic poetry]] and became partly mythological over the following centuries. "Conscious generation" of mythology has been termed [[Mythopoeic literature|mythopoeia]] by [[J. R. R. Tolkien]]<ref>{{cite book|last=Tolkien|title=The Monsters and the Critics| year=1997| publisher=HarperCollins; New Ed edition| ISBN=026110263X}}</ref>, and was notoriously also suggested, very separately, by Nazi ideologist [[Alfred Rosenberg]]. | + | |
| + | Conversely, historical and literary material may acquire mythological qualities over time, for example the [[Matter of Britain]] and the [[Matter of France]], based on historical events of the 5th and 8th centuries, respectively, were first made into [[epic poetry]] and became partly mythological over the following centuries. . | ||
| == See also == | == See also == | ||
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The word mythology (from the Greek mythología, from Greek mythologein to relate myths, from Greek mythos, meaning a narrative, and Greek logos, meaning speech or argument) literally means the (oral) retelling of myths – stories that a particular culture believes to be true and that use the supernatural to interpret natural events and to explain the nature of the universe and humanity. In modern usage, "mythology" is either the body of myths from a particular culture or religion as in Greek mythology.
Modern mythology
Mythology is alive and well in the modern age through urban legends, New Age beliefs, certain aspects of religion and so forth. In the 1950s Roland Barthes published a series of essays examining modern myths and the process of their creation in his book Mythologies. Swiss psychologist Carl Jung (1873-1961) and his followers also tried to understand the psychology behind world myths.
Related concepts
Myths are not the same as fables, legends, folktales, fairy tales, anecdotes or fiction, but the concepts may overlap. Notably, during Romanticism, folktales and fairy tales were perceived as eroded fragments of earlier mythology (famously by the Brothers Grimm). Mythological themes are also very often consciously employed in literature, beginning with Homer. The resulting work may expressly refer to a mythological background without itself being part of a body of myths (Cupid and Psyche). The medieval romance in particular plays with this process of turning myth into literature. Euhemerism refers to the process of rationalization of myths, putting themes formerly imbued with mythological qualities into pragmatic contexts, for example following a cultural or religious paradigm shift (notably the re-interpretation of pagan mythology following Christianization).
Conversely, historical and literary material may acquire mythological qualities over time, for example the Matter of Britain and the Matter of France, based on historical events of the 5th and 8th centuries, respectively, were first made into epic poetry and became partly mythological over the following centuries. .
See also
