New Statesman
From The Art and Popular Culture Encyclopedia
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- Talking of Marxists feeling obliged to conceal their pop culture love behind aliases, Kirk Razga tells me that Eric Hobsbawm--regarded by some as our greatest living historian and a member of the Communist Party of Great Britain from the Thirties right up to just before the party dissolved in 1991--was a jazz critic for the New Statesman in the 1950s using the pseudonym Francis Newton --Simon Reynolds
Spent yesterday at the Verbeke Foundation. Impressed by the rotting cadavers of Boogaard, the typing hares by Stan Wannet and by the chaotic unmonumentality of the whole Verbeke Foundation.
The permanent collection of Belgian surrealism is worth the admission price alone.
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