Ocularcentrism  

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'''Ocularcentrism''' is the privileging of [[vision]] over the other [[sense]]s. It can be seen in the art of [[Odilon Redon]]. '''Ocularcentrism''' is the privileging of [[vision]] over the other [[sense]]s. It can be seen in the art of [[Odilon Redon]].
-Narratives such as ''[[Story of the Eye]]'' by Georges Bataille and ''[[Un chien Andalou]]'' profess anti-ocularism. See "The Disenchantment of the Eye: Surrealism and the Crisis of Ocularcentrism" by [[Martin Jay]].+Narratives such as ''[[Story of the Eye]]'' by Georges Bataille and ''[[Un chien Andalou]]'' profess anti-ocularism. See "[[The Disenchantment of the Eye: Surrealism and the Crisis of Ocularcentrism]]" by [[Martin Jay]].
==See also== ==See also==
*[[Eye]] *[[Eye]]

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Venus at the Opera (1844) by Grandville (French, 1803 – 1847)
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Venus at the Opera (1844) by Grandville (French, 1803 – 1847)

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Ocularcentrism is the privileging of vision over the other senses. It can be seen in the art of Odilon Redon.

Narratives such as Story of the Eye by Georges Bataille and Un chien Andalou profess anti-ocularism. See "The Disenchantment of the Eye: Surrealism and the Crisis of Ocularcentrism" by Martin Jay.

See also

Other -centrisms




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Ocularcentrism" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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