Paul Oskar Kristeller  

From The Art and Popular Culture Encyclopedia

(Difference between revisions)
Jump to: navigation, search
Revision as of 17:25, 10 April 2018
Jahsonic (Talk | contribs)

← Previous diff
Revision as of 11:26, 20 May 2018
Jahsonic (Talk | contribs)

Next diff →
Line 1: Line 1:
{| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" {| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5"
| style="text-align: left;" | | style="text-align: left;" |
-"The way that only certain activities are [[Classificatory disputes about art|classified today as art]] is a [[Social constructionism|social construction]]. The art history book ''[[The Invention of Art]]'' (2003), referencing "[[The Modern System of the Arts]]" (1951) by Paul Oskar Kristeller, finds evidence that the older system of the arts before our modern system ([[fine art]]) held art to be any [[skill]]ed [[human activity]] i.e. [[Ancient Greek society]] did not possess the term art but ''[[techne]]''. Techne can be understood neither as [[art]] or [[craft]], the reason being that the distinctions of art and craft are historical products that came later on in human history. ''Techne'' included [[painting]], [[sculpting]] and [[music]] but also; cooking, medicine, [[horsemanship]], [[geometry]], [[carpentry]], [[prophecy]], and farming etc." --Sholem Stein+"I shall not try to discuss any metaphysical theories of beauty or any particular theories concerning one or more of the arts, let alone their actual history, but only the systematic grouping together of the five [[major arts]]. [...] The subject has been overlooked by most historians of aesthetics and of literary, musical or artistic theories (I have come across only two authors who saw the problem quite clearly: [[H. Parker]], ''[[The Nature of the Fine Arts]]''[https://archive.org/stream/naturefinearts00parkgoog/naturefinearts00parkgoog_djvu.txt] (London, 1885), esp. 1-30. [[A. Philip McMahon]], ''[[Preface to an American Philosophy of Art]]'' (Chicago, 1945). The latter study is better documented but marred by polemical intentions.)" --"[[The Modern System of the Arts]]" (1951) by Paul Oskar Kristeller
|} |}
 +
{{Template}} {{Template}}
'''Paul Oskar Kristeller''' (May 22, 1905 in [[Berlin]] – June 7, 1999 in [[New York City|New York]], [[USA]]) was an important scholar of [[Renaissance humanism]]. He was awarded the [[Haskins Medal]] in 1992. He was last active as Professor Emeritus of Philosophy at [[Columbia University]] in [[New York City|New York]], where he mentored both [[Irving Louis Horowitz]] and [[A. James Gregor]]. '''Paul Oskar Kristeller''' (May 22, 1905 in [[Berlin]] – June 7, 1999 in [[New York City|New York]], [[USA]]) was an important scholar of [[Renaissance humanism]]. He was awarded the [[Haskins Medal]] in 1992. He was last active as Professor Emeritus of Philosophy at [[Columbia University]] in [[New York City|New York]], where he mentored both [[Irving Louis Horowitz]] and [[A. James Gregor]].

Revision as of 11:26, 20 May 2018

"I shall not try to discuss any metaphysical theories of beauty or any particular theories concerning one or more of the arts, let alone their actual history, but only the systematic grouping together of the five major arts. [...] The subject has been overlooked by most historians of aesthetics and of literary, musical or artistic theories (I have come across only two authors who saw the problem quite clearly: H. Parker, The Nature of the Fine Arts[1] (London, 1885), esp. 1-30. A. Philip McMahon, Preface to an American Philosophy of Art (Chicago, 1945). The latter study is better documented but marred by polemical intentions.)" --"The Modern System of the Arts" (1951) by Paul Oskar Kristeller

Related e

Wikipedia
Wiktionary
Shop


Featured:

Paul Oskar Kristeller (May 22, 1905 in Berlin – June 7, 1999 in New York, USA) was an important scholar of Renaissance humanism. He was awarded the Haskins Medal in 1992. He was last active as Professor Emeritus of Philosophy at Columbia University in New York, where he mentored both Irving Louis Horowitz and A. James Gregor.

An especially important achievement is his Iter Italicum (the title recalls Iter Alemannicum and other works of Martin Gerbert), a large work describing numerous uncatalogued manuscripts. After decades of neglect, Kristeller's lengthy, erudite essay of the early 1950s, "The Modern System of the Arts", in Journal of the History of Ideas, proved to be an influential, much reprinted classic reading in Philosophy of art.




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Paul Oskar Kristeller" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools