Performance art
From The Art and Popular Culture Encyclopedia
Revision as of 13:16, 24 August 2007 WikiSysop (Talk | contribs) ← Previous diff |
Revision as of 13:16, 24 August 2007 WikiSysop (Talk | contribs) Next diff → |
||
Line 2: | Line 2: | ||
''Performance art'' is a term usually reserved to refer to a kind of usually [[avant-garde]] or [[conceptual art]] which grew out of the [[visual art]]s. | ''Performance art'' is a term usually reserved to refer to a kind of usually [[avant-garde]] or [[conceptual art]] which grew out of the [[visual art]]s. | ||
- | Performance art, as the term is usually understood, began to be identified in the [[1960s]] with the work of artists such as [[Yves Klein]], [[Vito Acconci]], [[Hermann Nitsch]], [[Carolee Schneemann]], [[Yoko Ono]], [[Joseph Beuys]], [[Wolf Vostell]] and [[Allan Kaprow]], who coined the term [[happening]]s. Western cultural theorists often trace performance art activity back to the beginning of the [[20th century]]. [[Dada]] for example, provided a significant progenitor with the unconventional performances of poetry, often at the [[Cabaret Voltaire (Zurich)|Cabaret Voltaire]], by the likes of [[Richard Huelsenbeck]] and [[Tristan Tzara]]. However, there are accounts of [[Renaissance]] artists putting on public performances that could be said to be early ancestors to modern performance art. Some performance artists point to other traditions, ranging from tribal [[ritual]] to sporting events. Performance art activity is not confined to European art traditions; many notable practitioners can be found in the [[United States]], [[Asia]], and [[Latin America]]. | + | Performance art, as the term is usually understood, began to be identified in the [[1960s]] with the work of artists such as [[Yves Klein]], [[Vito Acconci]], [[Hermann Nitsch]], [[Carolee Schneemann]], [[Yoko Ono]], [[Joseph Beuys]], and [[Allan Kaprow]], who coined the term [[happening]]s. Western cultural theorists often trace performance art activity back to the beginning of the [[20th century]]. [[Dada]] for example, provided a significant progenitor with the unconventional performances of poetry, often at the [[Cabaret Voltaire (Zurich)|Cabaret Voltaire]], by the likes of [[Richard Huelsenbeck]] and [[Tristan Tzara]]. However, there are accounts of [[Renaissance]] artists putting on public performances that could be said to be early ancestors to modern performance art. Some performance artists point to other traditions, ranging from tribal [[ritual]] to sporting events. Performance art activity is not confined to European art traditions; many notable practitioners can be found in the [[United States]], [[Asia]], and [[Latin America]]. |
Performance art genres include [[body art]], [[fluxus]], [[happening]], [[action poetry]], and [[intermedia]]. Some artists, e.g. the [[Viennese Actionism|Viennese Actionists]] and [[neo-Dada]]ists, prefer to use the terms [[Live Art (art form)|live art]], "action art", [[art intervention|intervention]] or "manoeuvre" to describe their activities. | Performance art genres include [[body art]], [[fluxus]], [[happening]], [[action poetry]], and [[intermedia]]. Some artists, e.g. the [[Viennese Actionism|Viennese Actionists]] and [[neo-Dada]]ists, prefer to use the terms [[Live Art (art form)|live art]], "action art", [[art intervention|intervention]] or "manoeuvre" to describe their activities. |
Revision as of 13:16, 24 August 2007
Related e |
Featured: |
Performance art is a term usually reserved to refer to a kind of usually avant-garde or conceptual art which grew out of the visual arts.
Performance art, as the term is usually understood, began to be identified in the 1960s with the work of artists such as Yves Klein, Vito Acconci, Hermann Nitsch, Carolee Schneemann, Yoko Ono, Joseph Beuys, and Allan Kaprow, who coined the term happenings. Western cultural theorists often trace performance art activity back to the beginning of the 20th century. Dada for example, provided a significant progenitor with the unconventional performances of poetry, often at the Cabaret Voltaire, by the likes of Richard Huelsenbeck and Tristan Tzara. However, there are accounts of Renaissance artists putting on public performances that could be said to be early ancestors to modern performance art. Some performance artists point to other traditions, ranging from tribal ritual to sporting events. Performance art activity is not confined to European art traditions; many notable practitioners can be found in the United States, Asia, and Latin America.
Performance art genres include body art, fluxus, happening, action poetry, and intermedia. Some artists, e.g. the Viennese Actionists and neo-Dadaists, prefer to use the terms live art, "action art", intervention or "manoeuvre" to describe their activities.
See also