Performance art
From The Art and Popular Culture Encyclopedia
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Performance art is art in which the actions of an individual or a group at a particular place and in a particular time constitute the work. It can happen anywhere, at any time, or for any length of time. Performance art can be any situation that involves four basic elements: time, space, the performer's body and a relationship between performer and audience. It is opposed to painting or sculpture, for example, where an object constitutes the work. Of course the lines are often blurred.
Performance art is a term usually reserved to refer to a kind of usually avant-garde or conceptual art which grew out of the visual arts.
Performance art, as the term is usually understood, began to be identified in the 1960s with the work of artists such as Yves Klein, Vito Acconci, Hermann Nitsch, Carolee Schneemann, Yoko Ono, Joseph Beuys, Wolf Vostell and Allan Kaprow, who coined the term happenings. Western cultural theorists often trace performance art activity back to the beginning of the 20th century. Dada for example, provided a significant progenitor with the unconventional performances of poetry, often at the Cabaret Voltaire, by the likes of Richard Huelsenbeck and Tristan Tzara. However, there are accounts of Renaissance artists putting on public performances that could be said to be early ancestors to modern performance art. Some performance artists point to other traditions, ranging from tribal ritual to sporting events. Performance art activity is not confined to European art traditions; many notable practitioners can be found in the United States, Asia, and Latin America.
Performance art genres include body art, fluxus, happening, action poetry, and intermedia. Some artists, e.g. the Viennese Actionists and neo-Dadaists, prefer to use the terms live art, "action art", intervention or "manoeuvre" to describe their activities.
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