Pornographic art  

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 +'''Pornographic art''' is art of a [[pornographic]] nature. There is some discussion whether this art category actually exists. The term was first attested in the 19th century[https://www.google.be/search?q=%22pornographic+art%22&rlz=1C1GCEA_enBE822BE822&tbm=bks&source=lnt&tbs=cdr:1,cd_min:1800,cd_max:1899&sa=X&ved=0ahUKEwjKv8qzhsfeAhVBElAKHX86BjcQpwUIIA&biw=1920&bih=969&dpr=1] to denote works of [[ancient erotica]] such as [[Pompeiian erotica]]. In the early 21st century academics such as [[Hans Maes]] sought to give it respectability in its own right.
 +==History==
In her 1967 essay "[[The Pornographic Imagination]]", Susan Sontag argued that certain works of literature considered [[pornography]] need to be acknowledged as works of [[literary merit]], famously stating that "Pierre Louys' ''[[Trois filles de leur mère]],'' George Bataille's ''[[Histoire de l'Oeil]]'' and ''[[Madame Edwarda]],'' the pseudonymous ''[[Story of O]]'' and ''[[The Image (novel)|The Image]]'' belong to literature." In her 1967 essay "[[The Pornographic Imagination]]", Susan Sontag argued that certain works of literature considered [[pornography]] need to be acknowledged as works of [[literary merit]], famously stating that "Pierre Louys' ''[[Trois filles de leur mère]],'' George Bataille's ''[[Histoire de l'Oeil]]'' and ''[[Madame Edwarda]],'' the pseudonymous ''[[Story of O]]'' and ''[[The Image (novel)|The Image]]'' belong to literature."
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This was at the height of the [[sexual revolution]] but also at the beginning of the mingling of [[high and low culture]], what would come to be termed ''[[nobrow]]'' in postmodern times. This was at the height of the [[sexual revolution]] but also at the beginning of the mingling of [[high and low culture]], what would come to be termed ''[[nobrow]]'' in postmodern times.
-Tellingly, the [[Eberhard and Phyllis Kronhausen]]s mention in their book ''[[The Complete Book of Erotic Art]]''(?) how one day, they witnessed the transformation from pornography to art:+Revealingly, the [[Eberhard and Phyllis Kronhausen]]s mention in their book ''[[The Complete Book of Erotic Art]]''(?) how one day, they witnessed the transformation from pornography to art:
:"We had occasion, in fact, to watch the transformation of pornography into art before our own eyes when [[Hans Bellmer]] one day worked in our presence, making a complicated and highly erotic engraving from a series of common pornographic photographs." :"We had occasion, in fact, to watch the transformation of pornography into art before our own eyes when [[Hans Bellmer]] one day worked in our presence, making a complicated and highly erotic engraving from a series of common pornographic photographs."
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==Bibliography== ==Bibliography==
:''[[Pornography#References]]'' :''[[Pornography#References]]''
-===Articles===+===Bibliography===
-:''listed chronologically''+* "[[Pornography and Obscenity]]" (1929) by D. H. Lawrence
-*"[[Pornography and Obscenity]]" (1929) by D. H. Lawrence+* ''[[The Nude]]'' (1956) by Kenneth Clark
-*''[[The Nude]]'' (1956) by Kenneth Clark+* ''[[The Other Victorians]]'' (1964) by Steven Marcus
-*[[The Pornographic Imagination]]” (1967) by Susan Sontag+* "[[The Pornographic Imagination]]” (1967) by Susan Sontag
-*"[[What Is Erotic Art?]]" (1998) by Jerrold Levinson+* ''[[The Longford Report]]'' (1972) by various
-*[[Pornographic Art]]” (2001) by Matthew Kieran+* ''[[Ways of Seeing]]'' (1972) by John Berger
-*"[[Erotic Art and Pornographic Pictures]]" (2005) by Jerrold Levinson+* ''[[Against Our Will]]'' (1975) by Susan Brownmiller
-*"[[Flesh from the Butcher: How to Distinguish Eroticism from Pornography]]" (2005) by Roger Scruton +* ''[[The Erotic Arts]]'' (1975) by Peter Webb
-*"[[Why Pornography Can’t Be Art]]" (2009) by Christy Mag Uidhir+* ''[[Hard Core: Power, Pleasure]]'' (1989) by Linda Williams
-*"[[Art and Pornography (review of 'Contemplating Art')]]" (2009) by Hans Maes+* "[[What Is Erotic Art?]]" (1998) by Jerrold Levinson
-*"[[Art or Porn: Clear Division or False Dilemma?]]" (2011a) by Hans Maes+* "[[Pornographic Art]]” (2001) by Matthew Kieran
-*"[[Drawing the Line: Art versus Pornography]]" (2011b) by Hans Maes+* "[[Erotic Art and Pornographic Pictures]]" (2005) by Jerrold Levinson
-*"[[Pornographic Art—A Case from Definitions]]" (2012) by Simon Fokt+* "[[Flesh from the Butcher: How to Distinguish Eroticism from Pornography]]" (2005) by Roger Scruton
-*"[[Who Says Pornography Can't be Art?]]" (2012), Maes, a reworked version of "Drawing the line: Art versus Pornography" (2011) +* ''[[Art and Obscenity]]'' (2006) by Kerstin Mey
-*[[Stanford Encyclopedia of Philosophy article on 'erotic art' by Hans Maes (2014)|Stanford Encyclopedia of Philosophy article on 'erotic art']] (2014) by Hans Maes+* "[[Why Pornography Can’t Be Art]]" (2009) by Christy Mag Uidhir
-*"[[Pornography Stumps Analytic Philosophers of Art]]" (2015) by Arnold Jarvie+* "[[Art and Pornography (review of 'Contemplating Art')]]" (2009) by Hans Maes
- +* ''[[Art/Porn: A History of Seeing and Touching]]'' (2009) by Kelly Dennis
-===Books===+* "[[Art or Porn: Clear Division or False Dilemma?]]" (2011a) by Hans Maes
-*''[[ Art and Pornography: An Experiment in Explanation]]'' (1969) by [[Morse Peckham]]+* "[[Drawing the Line: Art versus Pornography]]" (2011b) by Hans Maes
-*''[[Art and Obscenity]]'' (2006) by Kerstin Mey+* "[[Pornographic Art—A Case from Definitions]]" (2012) by Simon Fokt
-*''[[Art/Porn: A History of Seeing and Touching]]'' (2009) by Kelly Dennis +* ''[[Art & Pornography: Philosophical Essays]]'' (2012) by Hans Maes and Jerrold Levinson
-*''[[Art & Pornography: Philosophical Essays]]'' (2012) by Hans Maes and Jerrold Levinson+** "[[Who Says Pornography Can't Be Art?]]" (2012), Maes, a reworked version of "Drawing the line: Art versus Pornography" (2011)
-*''[[Pornographic Art and the Aesthetics of Pornography]]'' (2013), edited by Hans Maes+* ''[[Pornographic Art and the Aesthetics of Pornography]]'' (2013), edited by Hans Maes
 +* [[Stanford Encyclopedia of Philosophy article on 'erotic art' by Hans Maes (2014)|Stanford Encyclopedia of Philosophy article on 'erotic art']] (2014) by Hans Maes
 +* "[[Pornography Stumps Analytic Philosophers of Art]]" (2014) by Ian Jarvie
== See also == == See also ==
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*[[Toilet philosophy]] *[[Toilet philosophy]]
*[[Philosophy of sex]] *[[Philosophy of sex]]
 +*[[Gelatin und der Arc de Triomphe]]
{{GFDL}} {{GFDL}}
[[Category:Nobrow]] [[Category:Nobrow]]

Revision as of 08:58, 28 July 2019

"False judgments enter art history if we judge from the impression which pictures of different epochs, placed side by side, make on us.... They speak a different language." --Principles of Art History


"Jerrold Levinson and Hans Maes have been in the very centre of the discussion, holding opposite views on whether pornography can be art. In the introduction they point out that pornography's bad reputation is largely responsible for the lack of interest aestheticians showed it in the past. It seems that even if there are some pornographic works which are aesthetically rewarding, and there is some art that flirts with porn, they are very rare. Philosophers of art only recently started asking why the overlap is so small, but once the discussion started it seemed to grow in popularity every day, and it`s good to see some of its main topics explored more in depth in a book"[1] --Simon Fokt


"We had occasion, in fact, to watch the transformation of pornography into art before our own eyes when Hans Bellmer one day worked in our presence, making a complicated and highly erotic engraving from a series of common pornographic photographs." --The Complete Book of Erotic Art (1978), the Kronhausens

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Pornographic art is art of a pornographic nature. There is some discussion whether this art category actually exists. The term was first attested in the 19th century[2] to denote works of ancient erotica such as Pompeiian erotica. In the early 21st century academics such as Hans Maes sought to give it respectability in its own right.

Contents

History

In her 1967 essay "The Pornographic Imagination", Susan Sontag argued that certain works of literature considered pornography need to be acknowledged as works of literary merit, famously stating that "Pierre Louys' Trois filles de leur mère, George Bataille's Histoire de l'Oeil and Madame Edwarda, the pseudonymous Story of O and The Image belong to literature."

When Sontag wrote those words, the notion of the respectability of erotic literature was beginning to be established, but the notion of pornographic literature being just as respectable was new. The use of the word pornography coupled with positive attributes was unheard of.

This was at the height of the sexual revolution but also at the beginning of the mingling of high and low culture, what would come to be termed nobrow in postmodern times.

Revealingly, the Eberhard and Phyllis Kronhausens mention in their book The Complete Book of Erotic Art(?) how one day, they witnessed the transformation from pornography to art:

"We had occasion, in fact, to watch the transformation of pornography into art before our own eyes when Hans Bellmer one day worked in our presence, making a complicated and highly erotic engraving from a series of common pornographic photographs."

In the seventies there was the porno chic era, in the late eighties there was Robert Mapplethorpe's The Perfect Moment 1989-90, in the nineties Jeff Koons's "Made in Heaven" (1990–91) series, in the 2000s Nudes (2003) by Thomas Ruff and at the turn of the 21st century there was the New French Extremity in cinema and John Currin and Lisa Yuskavage in painting.

The academic study of pornography began in 1989 with the publication of Hard Core: Power, Pleasure (1989) by Linda Williams. Most recently, the topic whether pornography can be art was taken up in the porn/art debate in which Hans Maes (with Matthew Kieran, David Davies, Andrew Kania) claims that porn can be art and Jerrold Levinson (with Uidhir) claiming that it can't.

Bibliography

Pornography#References

Bibliography

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Pornographic art" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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