Post-Impressionism
From The Art and Popular Culture Encyclopedia
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| [[Image:Sunday Afternoon on the Island of La Grande Jatte (1884-1886) - Seurat.jpg|thumb|right|200px|''[[A Sunday Afternoon on the Island of La Grande Jatte]]'' ([[1884]]-[[1886]]) - [[Georges Seurat]]]] | [[Image:Sunday Afternoon on the Island of La Grande Jatte (1884-1886) - Seurat.jpg|thumb|right|200px|''[[A Sunday Afternoon on the Island of La Grande Jatte]]'' ([[1884]]-[[1886]]) - [[Georges Seurat]]]] | ||
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| - | '''Post-Impressionism''' is the term coined by the British artist and art critic [[Roger Fry]] in 1914, to describe the development of European art since [[Claude Monet|Monet]] ([[Impressionism]]). [[John Rewald]], one of the first professional art historians to focus on the birth of early [[modern art]], limited the scope to the years between [[1886]] and [[1892]] in his pioneering publication on ''Post-Impressionism: From Van Gogh to Gauguin'' (1956): Rewald considered it to continue his ''History of Impressionism'' (1946), and pointed out that a "subsequent volume dedicated to the second half of the post-impressionist period" - ''Post-Impressionism: From Gauguin to Matisse'' - was to follow, extending the period covered to other artistic movements of the late [[19th century|19th]] and early [[20th century|20th centuries]] — to artistic movements based on or derived from [[Impressionism]]. | + | '''Post-Impressionism''' is the term coined by the British artist and art critic [[Roger Fry]] in [[1914]], to describe the development of European art since [[Claude Monet|Monet]] ([[Impressionism]]). [[John Rewald]], one of the first professional art historians to focus on the birth of early [[modern art]], limited the scope to the years between [[1886]] and [[1892]] in his pioneering publication on ''Post-Impressionism: From Van Gogh to Gauguin'' (1956): Rewald considered it to continue his ''History of Impressionism'' (1946), and pointed out that a "subsequent volume dedicated to the second half of the post-impressionist period" - ''Post-Impressionism: From Gauguin to Matisse'' - was to follow, extending the period covered to other artistic movements of the late [[19th century|19th]] and early [[20th century|20th centuries]] — to artistic movements based on or derived from [[Impressionism]]. |
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Post-Impressionism is the term coined by the British artist and art critic Roger Fry in 1914, to describe the development of European art since Monet (Impressionism). John Rewald, one of the first professional art historians to focus on the birth of early modern art, limited the scope to the years between 1886 and 1892 in his pioneering publication on Post-Impressionism: From Van Gogh to Gauguin (1956): Rewald considered it to continue his History of Impressionism (1946), and pointed out that a "subsequent volume dedicated to the second half of the post-impressionist period" - Post-Impressionism: From Gauguin to Matisse - was to follow, extending the period covered to other artistic movements of the late 19th and early 20th centuries — to artistic movements based on or derived from Impressionism.
