Region
From The Art and Popular Culture Encyclopedia
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American exploitation - British exploitation - European exploitation - French exploitation - German exploitation - Italian exploitation - Japanese exploitation | American exploitation - British exploitation - European exploitation - French exploitation - German exploitation - Italian exploitation - Japanese exploitation | ||
- | My interest in regional pulp culture is what it tells about the region where it is produced. In search of [[national stereotype]]s by way of their exploitation culture; regional stereotypes deduced from regional [[fear]]s and [[desire]]s (horror and eroticism). | + | My interest in regional pulp culture is what it tells about the region where it is produced. In search of [[national stereotype]]s by way of their exploitation culture; regional stereotypes deduced from regional [[fear]]s and [[desire]]s ([[horror]] and [[eroticism]]). |
[http://en.wikipedia.org/wiki/{{PAGENAMEE}}] [May 2007] | [http://en.wikipedia.org/wiki/{{PAGENAMEE}}] [May 2007] |
Revision as of 18:42, 9 May 2007
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American exploitation culture is well-known throughout the world, European exploitation culture less so.
The previous posts on Stewart Home and Richard Allen led me to Hank Janson [Google Gallery] and Reginald Heade [Google gallery], the latter two examples of 1950s British exploitation culture.
Exploitation by region
American exploitation - British exploitation - European exploitation - French exploitation - German exploitation - Italian exploitation - Japanese exploitation
My interest in regional pulp culture is what it tells about the region where it is produced. In search of national stereotypes by way of their exploitation culture; regional stereotypes deduced from regional fears and desires (horror and eroticism).
[1] [May 2007]