Rembrandt  

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In both painting and printmaking he exhibited a complete knowledge of classical [[iconography]], which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of [[Amsterdam]]'s [[Jewish Amsterdam|Jewish population]]. Because of his empathy for the human condition, [[Kenneth Clark]] called him "one of the great prophets of civilization." In both painting and printmaking he exhibited a complete knowledge of classical [[iconography]], which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of [[Amsterdam]]'s [[Jewish Amsterdam|Jewish population]]. Because of his empathy for the human condition, [[Kenneth Clark]] called him "one of the great prophets of civilization."
===Selected works=== ===Selected works===
 +*''[[Woman Stepping into a Stream]]''[http://www.wetcanvas.com/Community/images/04-Nov-2006/39499-bathing-riversmall.JPG].
* ''[[The Woman Taken in Adultery (Rembrandt)|The Woman Taken in Adultery ]]'' * ''[[The Woman Taken in Adultery (Rembrandt)|The Woman Taken in Adultery ]]''
*''[[Jacob de Gheyn III (painting)|Jacob de Gheyn III]]'' (1632) -<small> [[Dulwich Picture Gallery]], [[London]], England </small> *''[[Jacob de Gheyn III (painting)|Jacob de Gheyn III]]'' (1632) -<small> [[Dulwich Picture Gallery]], [[London]], England </small>
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*''Christ Healing the Sick'' ([[Etching]] c. 1643, also known as ''[[The Hundred Guilders Print]]'') <small>, nicknamed for the huge sum paid for it </small> *''Christ Healing the Sick'' ([[Etching]] c. 1643, also known as ''[[The Hundred Guilders Print]]'') <small>, nicknamed for the huge sum paid for it </small>
*''[[The Mill (Rembrandt)|The Mill]]'' (1645/48) -<small> The National Gallery of Art, Washington, D.C. </small> *''[[The Mill (Rembrandt)|The Mill]]'' (1645/48) -<small> The National Gallery of Art, Washington, D.C. </small>
-* Susanna and the Elders (1647) -<small> Oil on panel, 76 x 91&nbsp;cm, Gemäldegalerie, Berlin </small>+* [[Susanna and the Elders (Rembrandt)|Susanna and the Elders]][http://commons.wikimedia.org/wiki/File:Rembrandt_Harmensz._van_Rijn_152.jpg] (1647) -<small> Oil on panel, 76 x 91&nbsp;cm, Gemäldegalerie, Berlin </small>
*''[[Aristotle contemplating a bust of Homer]]'' (1653) -<small> Metropolitan Museum of Art, New York </small> *''[[Aristotle contemplating a bust of Homer]]'' (1653) -<small> Metropolitan Museum of Art, New York </small>
*''[[Bathsheba at Her Bath]]'' (1654) -<small> [[Louvre]], [[Paris]] </small> *''[[Bathsheba at Her Bath]]'' (1654) -<small> [[Louvre]], [[Paris]] </small>
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*''[[Syndics of the Drapers' Guild]]'' (Dutch ''De Staalmeesters'', 1662) -<small> Rijksmuseum, Amsterdam </small> *''[[Syndics of the Drapers' Guild]]'' (Dutch ''De Staalmeesters'', 1662) -<small> Rijksmuseum, Amsterdam </small>
*''[[The Jewish Bride]]'' (1664) -<small> Rijksmuseum, Amsterdam </small> *''[[The Jewish Bride]]'' (1664) -<small> Rijksmuseum, Amsterdam </small>
- +==References==
 +*[[Rembrandt and the Female Nude]]
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Hendrickje Stoffels, Rembrandt's etchings

Rembrandt Harmenszoon van Rijn (July 15, 1606 – October 4, 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history. His contributions to art came in a period that historians call the Dutch Golden Age.

Having achieved youthful success as a portrait painter, his later years were marked by personal tragedy and financial hardship. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught nearly every important Dutch painter. Rembrandt's greatest creative triumphs are exemplified especially in his portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible. His self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity.

In both painting and printmaking he exhibited a complete knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population. Because of his empathy for the human condition, Kenneth Clark called him "one of the great prophets of civilization."

Selected works

References




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