Richard Redgrave  

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-"It also identified high art with non-[[functional]] objects. For [[C. R. Cockerell|Cockerell]], in order to be a truly [[disinterested]] vehicle of artistic ideas, a genre had to be severed from perceivable [[use-value]]. For this reason, he positions [[architecture]] alongside the [[decorative arts]]. For [[Richard Redgrave|Redgrave]], utility was irrelevant. The [[intention]] behind the creation of the object was the key to its status as art. Using a position usually associated with [[John Ruskin]], he was arguing that an was a quality that could be applied to any ..." --''[[The Culture of Craft]]'', [[Peter Dormer]], 1997 
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-'''Richard Redgrave''' {{Post-nominals|post-noms=[[Royal Academy|ARA]]}} (1840) {{Post-nominals|post-noms=[[Royal Academy|RA]]}} (1851) (30 April 1804 in [[Pimlico]], [[London]] – 14 December 1888 in [[Kensington]], [[London]]) was an English landscape artist, genre painter and administrator.+'''Richard Redgrave''' (30 April 1804 in [[Pimlico]], [[London]] – 14 December 1888 in [[Kensington]], [[London]]) was an English landscape artist, genre painter and administrator.
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Richard Redgrave (30 April 1804 in Pimlico, London – 14 December 1888 in Kensington, London) was an English landscape artist, genre painter and administrator.




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