Rodin's Reputation  

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-"neither the body's substance nor its activity have anything to do with the sculpted vocabulary of the feminine current at the time" 
-<HR> 
“Rodin's worldwide stature as the artistic genius of his age rested on, and was enabled by, responses to both his own sexuality and the sexual intensity of his art.” “Rodin's worldwide stature as the artistic genius of his age rested on, and was enabled by, responses to both his own sexuality and the sexual intensity of his art.”
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Revision as of 15:12, 4 April 2018

“Rodin's worldwide stature as the artistic genius of his age rested on, and was enabled by, responses to both his own sexuality and the sexual intensity of his art.”

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Rodin's Reputation” (1991) is an essay by Anne M. Wagner collected in Eroticism and the Body Politic (1991).

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Rodin's Reputation" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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