Rodin's Reputation  

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-"neither the body's substance nor its activity have anything to do with the sculpted vocabulary of the feminine current at the time;"+“Rodin's worldwide stature as the artistic genius of his age rested on, and was enabled by, responses to both his own sexuality and the sexual intensity of his art.” --"[[Rodin's Reputation]]" (1991) by Anne M. Wagner
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-“Rodin's worldwide stature as the artistic genius of his age rested on, and was enabled by, responses to both his own sexuality and the sexual intensity of his art.” +
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-[[Rodin's Reputation]](1991) is an essay by [[Anne M. Wagner]] collected in ''[[Eroticism and the Body Politic]]'' (1991).+"[[Rodin's Reputation]]" (1991) is an essay by [[Anne M. Wagner]] collected in ''[[Eroticism and the Body Politic]]''. An earlier version of the paper was delivered at the [[ University of California, Berkeley]].
==See also== ==See also==
 +*"[[Les dessins de Rodin]]" (1900) by Arthur Symons
*[[Eros and Rodin]] *[[Eros and Rodin]]
*''[[Iris, Messenger of the Gods]]'' *''[[Iris, Messenger of the Gods]]''
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“Rodin's worldwide stature as the artistic genius of his age rested on, and was enabled by, responses to both his own sexuality and the sexual intensity of his art.” --"Rodin's Reputation" (1991) by Anne M. Wagner

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"Rodin's Reputation" (1991) is an essay by Anne M. Wagner collected in Eroticism and the Body Politic. An earlier version of the paper was delivered at the University of California, Berkeley.

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