Significant form
From The Art and Popular Culture Encyclopedia
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| - | '''Significant form''' refers to an [[Aesthetics|aesthetic theory]] developed by English art critic [[Clive Bell]] which specified a set of criteria for what qualified as a [[Work of art|work of art]]. In his 1914 Book ''Art,'' Bell postulated that for an object to be deemed a work of art it required potential to provoke [[Aesthetic emotions|aesthetic emotion]] in its viewer, a quality he termed "significant form." Bell's definition explicitly separated significant form from beauty; in order to possess significant form, an object need not be attractive as long as it elicits an emotional response. | + | '''Significant form''' refers to an [[Aesthetics|aesthetic theory]] developed by English art critic [[Clive Bell]] which specified a set of criteria for what qualified as a [[Work of art|work of art]]. In his 1914 Book ''[[Art (Clive Bell)|Art]],'' Bell postulated that for an object to be deemed a work of art it required potential to provoke [[Aesthetic emotions|aesthetic emotion]] in its viewer, a quality he termed "significant form." Bell's definition explicitly separated significant form from beauty; in order to possess significant form, an object need not be attractive as long as it elicits an emotional response. |
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Significant form refers to an aesthetic theory developed by English art critic Clive Bell which specified a set of criteria for what qualified as a work of art. In his 1914 Book Art, Bell postulated that for an object to be deemed a work of art it required potential to provoke aesthetic emotion in its viewer, a quality he termed "significant form." Bell's definition explicitly separated significant form from beauty; in order to possess significant form, an object need not be attractive as long as it elicits an emotional response.
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