Spartacus (film)  

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Music

The original score for Spartacus was composed and conducted by six-time Academy Award nominee Alex North. It is considered one of his best works, and a textbook example of how modernist compositional styles can be adapted to the Hollywood leitmotif technique. North's score is epic, as befits the scale of the film. After extensive research of music of that period, North gathered a collection of antique instruments that, while not authentically Roman, provided a strong dramatic effect. These instruments included a Sarrusophone, Israeli recorder, Chinese oboe, lute, mandolin, Yugoslav flute], kythara, dulcimer, and bagpipes. North's prize instrument was the Ondioline, similar to an earlier version of the electronic synthesizer, which had never been used in film before. Much of the music is written without a tonal center, or flirts with tonality in ways that most film composers wouldn't allow. One theme is used to represent both slavery and freedom, but is given different values in different scenes, so that it sounds like different themes. The love theme for Spartacus and Varinia (sung by Terry Callier) is the most accessible theme in the film, and there is a harsh trumpet figure for Crassus.

The soundtrack album runs less than forty-five minutes and is not very representative of the score. There were plans to re-record a significant amount of the music with North's friend and fellow film composer Jerry Goldsmith, but the project kept getting delayed until Goldsmith's death in 2004. There have been numerous bootlegs, but none of them have good sound quality.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Spartacus (film)" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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