Still Life Painting: From Antiquity to the Twentieth Century
From The Art and Popular Culture Encyclopedia
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| + | "A [[Still life|still life painting]] was originally designated in Greek by the term "''[[rhopography]]''" (i.e. depiction of insignificant objects, of odds and ends); then, forcing the pejorative nuance a little, it was mockingly baptized '"''[[rhyparography]]''" (i.e. painting of the sordid) […] Now too the term "''[[megalography]]''" (i.e. large-scale painting) was coined in contradistinction to ''rhopography''. But it was not so much a matter of size as of the nature of the subject, the latter category corresponding to our minor genre as contrasted with the [[grand manner]]."--''[[Still Life Painting: From Antiquity to the Twentieth Century]]'' (1952:27), Charles Sterling | ||
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| '''''La nature morte de l'antiquité à nos jours''''' (1952) is a work by [[Charles Sterling]] on the history of [[still life painting]]. | '''''La nature morte de l'antiquité à nos jours''''' (1952) is a work by [[Charles Sterling]] on the history of [[still life painting]]. | ||
Revision as of 22:48, 28 February 2018
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"A still life painting was originally designated in Greek by the term "rhopography" (i.e. depiction of insignificant objects, of odds and ends); then, forcing the pejorative nuance a little, it was mockingly baptized '"rhyparography" (i.e. painting of the sordid) […] Now too the term "megalography" (i.e. large-scale painting) was coined in contradistinction to rhopography. But it was not so much a matter of size as of the nature of the subject, the latter category corresponding to our minor genre as contrasted with the grand manner."--Still Life Painting: From Antiquity to the Twentieth Century (1952:27), Charles Sterling |
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La nature morte de l'antiquité à nos jours (1952) is a work by Charles Sterling on the history of still life painting.
It was translated in English as Still Life Painting: From Antiquity to the Twentieth Century (1981).
