Tennessee Williams
From The Art and Popular Culture Encyclopedia
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- | '''Thomas Lanier Williams III''' ([[March 26]], [[1911]] – [[February 25]], [[1983]]), better known by the [[pseudonym]] '''Tennessee Williams''', was an [[United States|American]] [[gay fiction|gay]] [[playwright]] and [[screenwriter]] best-known for ''[[A Streetcar Named Desire (play)|A Streetcar Named Desire]]'', ''[[Cat on a Hot Tin Roof]]'' and the film ''[[Baby Doll]]''. | + | '''Thomas Lanier Williams III''' ([[March 26]], [[1911]] – [[February 25]], [[1983]]), better known by the [[pseudonym]] '''Tennessee Williams''', was an [[United States|American]] [[gay novel|gay]] [[playwright]] and [[screenwriter]] best-known for ''[[A Streetcar Named Desire (play)|A Streetcar Named Desire]]'', ''[[Cat on a Hot Tin Roof]]'' and the film ''[[Baby Doll]]''. |
==The Work== | ==The Work== | ||
The "[[mad heroine]]" theme that appeared in many of his plays seemed clearly influenced by the life of Williams' sister Rose. | The "[[mad heroine]]" theme that appeared in many of his plays seemed clearly influenced by the life of Williams' sister Rose. |
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Thomas Lanier Williams III (March 26, 1911 – February 25, 1983), better known by the pseudonym Tennessee Williams, was an American gay playwright and screenwriter best-known for A Streetcar Named Desire, Cat on a Hot Tin Roof and the film Baby Doll.
The Work
The "mad heroine" theme that appeared in many of his plays seemed clearly influenced by the life of Williams' sister Rose.
Characters in his plays are often seen as representations of his family members. Laura Wingfield in The Glass Menagerie was understood to be modeled on Rose. Some biographers believed that the character of Blanche DuBois in A Streetcar Named Just Desserts is also based on her, as well as Williams himself. When Williams wrote A Streetcar Named Desire, he believed he was going to die and that this play would be his swan song.
Amanda Wingfield in The Glass Menagerie was generally seen to represent Williams' mother. Characters such as Tom Wingfield in The Glass Menagerie and Sebastian in Suddenly, Last Summer were understood to represent Williams himself. In addition, he used a lobotomy operation as a motif in Suddenly, Last Summer.
Cat On A Hot Tin Roof included references to elements of Williams' life such as homosexuality, mental instability and alcoholism.