The Absinthe Drinker (Manet painting)  

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-'''''The Old Musician''''' is an 1862 painting by [[France|French]] [[Painting|painter]] [[Édouard Manet]], produced during the period when the artist was influenced by Spanish art. The painting also shows the influence of the work of [[Gustave Courbet]]. This work is one of Manet's largest paintings and is now conserved at the [[National Gallery of Art]] in [[Washington, DC.]]. +'''''The Absinthe Drinker''''' (French: ''Le Buveur d'absinthe'') is an early painting by [[Édouard Manet]], c.1859, considered to be his first major painting and first original work.
-The painting is composed of six characters and a baby in a landscape. Most of them are in fact real individuals. The old musician in the center who is preparing to play the [[violin]] is Jean Lagrène, the leader of a local gypsy band. At the right, there are a young girl standing with a baby in her arms, and two young boys. In the background, the man in the top hat is the [[rag picker]] and [[ironmonger]] Colardet. At the right, the Oriental man with a [[turban]] and a long robe, partly shown, represents Guéroult, a "wandering Jew". Attitudes and clothes of the characters seem to be inspired by [[Diego Velázquez]] or [[Louis Le Nain]].+Manet became a student in the studio of [[Thomas Couture]] from 1850, but grew to dislike his master's Salon style and set up his own studio in 1856. Little of Manet's earliest work survives, and much may have been destroyed by Manet himself.
-The painting contains a series of more or less explicit allusions: the man in the top hat is the same character as ''[[The Absinthe Drinker (Manet painting)|The Absinthe Drinker]]'', painted by Manet some years earlier and who reappears in this painting without any particular reason. The young boy in straw hat, meanwhile, is explicitly inspired by [[Antoine Watteau]]'s ''Pierrot''.+''The Absinthe Drinker'' is a full-length portrait of an alcoholic [[rag-picker]] named Collardet who frequented the area around the [[Louvre]] in Paris, painted in mostly brown, grey and black tones. The subject stands wearing a black [[top hat]] and wrapped in a brown [[cloak]], like an aristocrat, leaning on a ledge, with the empty bottle discarded on the floor by his feet. Manet later added a half-full glass of [[absinthe]] on the ledge. Influenced by the [[realism]] of [[Gustave Courbet]], the work shows a mundane subject on a large scale, measuring {{convert|180.5|cm}} high by {{convert|105.6|cm}} wide. Manet may have taken inspiration from the poem ''Le Vin de chiffonniers'' ("The rag-picker's wine") in [[Charles Baudelaire]]'s 1857 collection ''[[Les Fleurs du mal]]'', and also from the paintings of ordinary people by [[Diego Velázquez]], particularly his paintings of ''Aesop'' and ''Menippus'', and [[Watteau]]'s ''L'Indifférent''.
 +Near the completion of the painting, Manet showed the work to his former master. Asked for his opinion, Couture is said to have retorted: "An absinthe drinker! And they paint abominations like that! My poor friend, you are the absinthe drinker. It is you who have lost your moral sense."
 +
 +''The Absinthe Drinker'' was the first work that Manet submitted to the [[Paris Salon]], in 1859. It was rejected, with only [[Eugène Delacroix]] voting in its favour. Part of the reason for its rejection may be its subject - absinthe was thought to be addictive and considered morally degenerate, and this was one of the earliest depictions of absinthe in art - but the painting also has technical faults: it is unevenly finished, with brushstrokes visible in places, and the legs join awkwardly with the subject's body. Refusal of other works by young painters led eventually to the creation of the [[Salon des Refusés]] in 1863.
 +
 +Manet continued to revise the work after 1859, and inserted the same cloaked figure into his 1862 painting ''[[The Old Musician]]''. The original full-length portrait was cut down to three-quarter length by 1867, when it was exhibited by Manet with 56 other works in a self-funded retrospective at the [[Exposition Universelle (1867)|Exposition Universelle]] held in Paris, but extended again by 1872, when Manet sold ''The Absinthe Drinker'' and 23 other works to the art dealer [[Paul Durand-Ruel]] in 1872. The glass of absinthe was a late addition, between 1867 and 1872.
 +
 +The painting was sold to opera singer [[Jean-Baptiste Faure]] in 1906 and exhibited at the [[Statens Museum for Kunst]] in Copenhagen in 1914, when it was acquired for the Ny Carlsberg Foundation. It was one of the first modern works added to the collection at the [[Ny Carlsberg Glyptotek]], where it is still held.
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Kunstformen der Natur (1904) by Ernst Haeckel
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Kunstformen der Natur (1904) by Ernst Haeckel

The Absinthe Drinker (French: Le Buveur d'absinthe) is an early painting by Édouard Manet, c.1859, considered to be his first major painting and first original work.

Manet became a student in the studio of Thomas Couture from 1850, but grew to dislike his master's Salon style and set up his own studio in 1856. Little of Manet's earliest work survives, and much may have been destroyed by Manet himself.

The Absinthe Drinker is a full-length portrait of an alcoholic rag-picker named Collardet who frequented the area around the Louvre in Paris, painted in mostly brown, grey and black tones. The subject stands wearing a black top hat and wrapped in a brown cloak, like an aristocrat, leaning on a ledge, with the empty bottle discarded on the floor by his feet. Manet later added a half-full glass of absinthe on the ledge. Influenced by the realism of Gustave Courbet, the work shows a mundane subject on a large scale, measuring Template:Convert high by Template:Convert wide. Manet may have taken inspiration from the poem Le Vin de chiffonniers ("The rag-picker's wine") in Charles Baudelaire's 1857 collection Les Fleurs du mal, and also from the paintings of ordinary people by Diego Velázquez, particularly his paintings of Aesop and Menippus, and Watteau's L'Indifférent.

Near the completion of the painting, Manet showed the work to his former master. Asked for his opinion, Couture is said to have retorted: "An absinthe drinker! And they paint abominations like that! My poor friend, you are the absinthe drinker. It is you who have lost your moral sense."

The Absinthe Drinker was the first work that Manet submitted to the Paris Salon, in 1859. It was rejected, with only Eugène Delacroix voting in its favour. Part of the reason for its rejection may be its subject - absinthe was thought to be addictive and considered morally degenerate, and this was one of the earliest depictions of absinthe in art - but the painting also has technical faults: it is unevenly finished, with brushstrokes visible in places, and the legs join awkwardly with the subject's body. Refusal of other works by young painters led eventually to the creation of the Salon des Refusés in 1863.

Manet continued to revise the work after 1859, and inserted the same cloaked figure into his 1862 painting The Old Musician. The original full-length portrait was cut down to three-quarter length by 1867, when it was exhibited by Manet with 56 other works in a self-funded retrospective at the Exposition Universelle held in Paris, but extended again by 1872, when Manet sold The Absinthe Drinker and 23 other works to the art dealer Paul Durand-Ruel in 1872. The glass of absinthe was a late addition, between 1867 and 1872.

The painting was sold to opera singer Jean-Baptiste Faure in 1906 and exhibited at the Statens Museum for Kunst in Copenhagen in 1914, when it was acquired for the Ny Carlsberg Foundation. It was one of the first modern works added to the collection at the Ny Carlsberg Glyptotek, where it is still held.




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