The Fantastic: A Structural Approach to a Literary Genre
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# ''[[The Uncanny (Freud)|The Uncanny]]'' (Penguin Classics) by [[Sigmund Freud]] | # ''[[The Uncanny (Freud)|The Uncanny]]'' (Penguin Classics) by [[Sigmund Freud]] | ||
- | # ''Fantasy: The Literature of Subversion'' (New Accents) by [[Rose Jackson]] | + | # ''[[Fantasy: The Literature of Subversion]]'' (New Accents) by [[Rose Jackson]] |
- | # ''Powers of Horror'' (European Perspectives Series) by [[Julia Kristeva]] | + | # ''[[Powers of Horror]]'' (European Perspectives Series) by [[Julia Kristeva]] |
# ''Narrative Discourse: An Essay in Method'' by [[Gerard Genette]] | # ''Narrative Discourse: An Essay in Method'' by [[Gerard Genette]] | ||
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Introduction à la littérature fantastique (1970), translated as The Fantastic: A Structural Approach to a Literary Genre is a literary history book by Tzvetan Todorov in which he explores the notion of the French fantastique.
Tzvetan Todorov holds that fantastic literature involves an unresolved hesitation between a supernatural (or otherwise paranormal or impossible) solution and a psychological (or realistic) one. His term hesitation is reminiscent of the terms ambiguity and ambivalence used in the definition of the grotesque.
SIPs
fantastic - fantastique - fantastic literature - genre theory - gothic novel - the uncanny - Tzvetan Todorov - the marvelous - literary theory - structuralism
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- The Uncanny (Penguin Classics) by Sigmund Freud
- Fantasy: The Literature of Subversion (New Accents) by Rose Jackson
- Powers of Horror (European Perspectives Series) by Julia Kristeva
- Narrative Discourse: An Essay in Method by Gerard Genette