The French Line  

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In Hollywood, Bardot was considered too risqué to handle — erotica like Bardot's Cette sacrée gamine (That Crazy Kid, 1955) was not typical of the American cinema of the time, and it was considered acceptable at the box office so long as it was clearly labeled "European." The Doris Day era was in full swing, and Jane Russell in The French Line (1953) was thought to have been going too far by showing her midriff. --Sholem Stein




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