The Mother and the Whore  

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The Mother and the Whore (French La maman et la putain) is a 1973 French film directed by Jean Eustache. It is one of the most typical French films of the 1970s and an extended essay on the Madonna-whore complex.

Plot

Clocking in at over 3½ hours, this marathon drama focuses on three twentysomething Parisians in a bizarre love triangle: Alexandre Jean-Pierre Léaud is a seemingly unemployed narcissist involved with both a live-in girlfriend Bernadette Lafont and a Polish nurse Françoise Lebrun whom he picked up at a café and with whom he begins a desultory affair. The film focuses less on plot than on the confused and ambivalent interrelations of these three lost souls.

The film has a style seemingly borrowed from cinéma vérité and it tries to capture real life in post-May 1968 France. A typical scene is one where Marie comes home, puts a record on the turntable and listens to it in real time. It was preceded by a similar 1969 American film called Coming Apart.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Mother and the Whore" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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