The most influential work of modern art
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| *[[Guernica]] - Picasso | *[[Guernica]] - Picasso | ||
| *[[Henri Matisse]]'s The Red Studio | *[[Henri Matisse]]'s The Red Studio | ||
| - | *[[Joseph Beuys]], I Like America and America Likes Me | + | *[[Joseph Beuys]], [[I Like America and America Likes Me]] |
| *[[Constantin Brancusi]], Endless Column | *[[Constantin Brancusi]], Endless Column | ||
| *[[Jackson Pollock]], One: No 31 | *[[Jackson Pollock]], One: No 31 | ||
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In advance to the 2004 Turner Prize, art connoisseurs such as Damien Hirst, Tracey Emin, David Hockney, Charles Saatchi, and Charles Saumarez-Smith, were asked to name their "the most influential work of modern art". Fountain by Marcel Duchamp came in first. Les Demoiselles d'Avignon (1907) was second, with Andy Warhol's Marilyn Diptych from 1962 coming third.
Top ten
- Fountain (1917) - Marcel Duchamp
- Les Demoiselles d'Avignon - Picasso
- Andy Warhol's Marilyn Diptych
- Guernica - Picasso
- Henri Matisse's The Red Studio
- Joseph Beuys, I Like America and America Likes Me
- Constantin Brancusi, Endless Column
- Jackson Pollock, One: No 31
- Donald Judd, 100 untitled works in mill aluminium
- Henry Moore, Reclining Figure 1929
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