Typography  

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The so-called "Typographic pear", a calligramme which was published on the cover of Le Charivari of February 27, 1834, subverting the magazine's obligation to publish the condemnation by presenting the text in the form of a pear.
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The so-called "Typographic pear", a calligramme which was published on the cover of Le Charivari of February 27, 1834, subverting the magazine's obligation to publish the condemnation by presenting the text in the form of a pear.

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Typography (from the Greek words τύπος (typos) = form and γραφή (graphe) = writing) is the art and technique of arranging type in order to make language visible. The arrangement of type involves the selection of typefaces, point size, line length, leading (line spacing), adjusting the spaces between groups of letters (tracking) and adjusting the space between pairs of letters (kerning). Type design is a closely related craft, which some consider distinct and others a part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. In modern times, typography has been put into motion—in film, television and online broadcasts—to add emotion to mass communication.

Typography is performed by typesetters, compositors, typographers, graphic designers, art directors, comic book artists, graffiti artists, clerical workers, and anyone else who arranges type for a product. Until the Digital Age, typography was a specialized occupation. Digitization opened up typography to new generations of visual designers and lay users, and David Jury states that "typography is now something everybody does."

Scope

In contemporary use, the practice and study of typography is very broad, covering all aspects of letter design and application. These include:

Since digitization, typography has spread to a wider ranger of applications, appearing on web pages, LCD mobile phone screens, and hand-held video games. The ubiquity of type has led typographers to coin the phrase "Type is everywhere".

Traditional typography follows four principles: repetition, contrast, proximity, and alignment.

Experimental typography




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Typography" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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