Uncanny
From The Art and Popular Culture Encyclopedia
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*Todorovian uncanny | *Todorovian uncanny | ||
**"The uncanny," a mode of [[fantastic fiction]] as defined in [[Tzvetan Todorov]]'s ''[[The Fantastic: A Structural Approach to a Literary Genre]].'' | **"The uncanny," a mode of [[fantastic fiction]] as defined in [[Tzvetan Todorov]]'s ''[[The Fantastic: A Structural Approach to a Literary Genre]].'' | ||
- | *[[The Uncanny (Mike Kelley)|Mike Kelley's uncanny]], a [[2004]] art exhibition at the [[Tate Modern]]. | + | *[[The Uncanny (Mike Kelley)|Mike Kelley's uncanny]], a [[2004]] art exhibition at the [[Tate Liverpool]]. |
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Uncanny means strange, and mysteriously unsettling (as if supernatural); weird.
- He bore an uncanny resemblance to the dead sailor.
The Uncanny (Ger. Das Unheimliche -- literally, "un-home-ly") is a Freudian concept of an instance where something can be familiar, yet foreign at the same time, resulting in a feeling of it being uncomfortably strange.
Because the uncanny is familiar, yet strange, it often creates cognitive dissonance within the experiencing subject due to the paradoxical nature of being attracted to, yet repulsed by an object at the same time. This cognitive dissonance often leads to an outright rejection of the object, as one would rather reject than rationalize.
The state was first identified by Ernst Jentsch in a 1906 essay, On the Psychology of the Uncanny. Jentsch defines the Uncanny as: "doubts whether an apparently animate being is really alive; or conversely, whether a lifeless object might be, in fact, animate" (unheimliche). The term was adopted by Freud in a 1919 essay titled Das Unheimliche (Eng: The Uncanny).
See also
- Freudian uncanny
- Todorovian uncanny
- "The uncanny," a mode of fantastic fiction as defined in Tzvetan Todorov's The Fantastic: A Structural Approach to a Literary Genre.
- Mike Kelley's uncanny, a 2004 art exhibition at the Tate Liverpool.