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[1] [Apr 2007]

Contents

By medium

British art - British cinema - British literature and philosophy - British music

By sensibility

British erotica - British exploitation


Various

Archigram - English - Industrial Revolution (started in the UK) - London - Oz (magazine)


By era

Mod movement - swinging London - Victorian era

The Arts

Literature

The earliest native literature of the territory of the modern United Kingdom was written in the Celtic languages of the isles. The Welsh literary tradition stretches from the 6th century. Irish poetry also represents a more or less unbroken tradition from the 6th century to the present day, with the Ulster Cycle being of particular relevance to Northern Ireland.

Anglo-Saxon literature includes Beowulf, a national epic, but literature in Latin predominated among educated elites. After the Norman Conquest Anglo-Norman literature brought continental influences to the isles.

English literature emerged as a recognisable entity in the late 14th century, with the rise and spread of the London dialect of Middle English. Geoffrey Chaucer is the first great identifiable individual in English literature: his Canterbury Tales remains a popular 14th-century work which readers still enjoy today.

Following the introduction of the printing press into England by William Caxton in 1476, the Elizabethan era saw a great flourishing of literature, especially in the fields of poetry and drama. From this period, poet and playwright William Shakespeare stands out as arguably the most famous writer in the world.

The English novel became a popular form in the 18th century, with Daniel Defoe's Robinson Crusoe (1719), Samuel Richardson's Pamela (1740) and Henry Fielding's Tom Jones (1745).

After a period of decline, the poetry of Robert Burns revived interest in vernacular literature, the rhyming weavers of Ulster being especially influenced by literature in Scots from Scotland.

The following two centuries continued a huge outpouring of literary production. In the early 19th century, the Romantic period showed a flowering of poetry comparable with the Renaissance two hundred years earlier, with such poets as William Blake, William Wordsworth, John Keats, and Lord Byron. The Victorian period was the golden age of the realistic English novel, represented by Jane Austen, the Brontë sisters (Charlotte, Emily and Anne), Charles Dickens, William Thackeray, George Eliot, and Thomas Hardy.

World War I gave rise to British war poets and writers such as Wilfred Owen, Siegfried Sassoon, Robert Graves and Rupert Brooke who wrote (often paradoxically), of their expectations of war, and/or their experiences in the trench.

The Celtic Revival stimulated new appreciation of traditional Irish literature, however, with the independence of the Irish Free State, Irish literature came to be seen as more clearly separate from the strains of British literature. The Scottish Renaissance of the early 20th century brought modernism to Scottish literature as well as an interest in new forms in the literatures of Scottish Gaelic and Scots.

The English novel developed in the 20th century into much greater variety and was greatly enriched by immigrant writers. It remains today the dominant English literary form.

Other well-known novelists include Arthur Conan Doyle, D. H. Lawrence, George Orwell, Salman Rushdie, Mary Shelley, J. R. R. Tolkien, Virginia Woolf and J.K. Rowling.

Important poets include Elizabeth Barrett Browning, T. S. Eliot, Ted Hughes, John Milton, Alfred Tennyson, Rudyard Kipling, Alexander Pope, and Dylan Thomas.

See also:

Theatre

The United Kingdom also has a vibrant tradition of theatre. Theatre was introduced to the UK from Europe by the Romans and auditoriums were constructed across the country for this purpose.

By the medieval period theatre had developed with the mummers' plays, a form of early street theatre associated with the Morris dance, concentrating on themes such as Saint George and the Dragon and Robin Hood. These were folk tales re-telling old stories, and the actors travelled from town to town performing these for their audiences in return for money and hospitality. The medieval mystery plays and morality plays, which dealt with Christian themes, were performed at religious festivals.

The reign of Elizabeth I in the late 16th and early 17th century saw a flowering of the drama and all the arts. Perhaps the most famous playwright in the world, William Shakespeare, wrote around 40 plays that are still performed in theatres across the world to this day. They include tragedies, such as Hamlet (1603), Othello (1604), and King Lear (1605); comedies, such as A Midsummer Night's Dream (159496) and Twelfth Night (1602); and history plays, such as Henry IV, part 1—2. The Elizabethan age is sometimes nicknamed "the age of Shakespeare" for the amount of influence he held over the era. Other important Elizabethan and 17th-century playwrights include Ben Jonson, Christopher Marlowe, and John Webster.
Image:Aphra Behn.jpg
Aphra Behn was the first professional woman playwright.

During the Interregnum 16421660, English theatres were kept closed by the Puritans for religious and ideological reasons. When the London theatres opened again with the Restoration of the monarchy in 1660, they flourished under the personal interest and support of Charles II. Wide and socially mixed audiences were attracted by topical writing and by the introduction of the first professional actresses (in Shakespeare's time, all female roles had been played by boys). New genres of the Restoration were heroic drama, pathetic drama, and Restoration comedy. The Restoration plays that have best retained the interest of producers and audiences today are the comedies, such as William Wycherley's The Country Wife (1676), The Rover (1677) by the first professional woman playwright, Aphra Behn, John Vanbrugh's The Relapse (1696), and William Congreve's The Way of the World (1700). Restoration comedy is famous or notorious for its sexual explicitness, a quality encouraged by Charles II (1660–1685) personally and by the rakish aristocratic ethos of his court.

In the 18th century, the highbrow and provocative Restoration comedy lost favour, to be replaced by sentimental comedy, domestic tragedy such as George Lillo's The London Merchant (1731), and by an overwhelming interest in Italian opera. Popular entertainment became more important in this period than ever before, with fair-booth burlesque and mixed forms that are the ancestors of the English music hall. These forms flourished at the expense of legitimate English drama, which went into a long period of decline. By the early 19th century it was no longer represented by stage plays at all, but by the closet drama, plays written to be privately read in a "closet" (a small domestic room).

A change came in the late 19th century with the plays on the London stage by the Irishmen George Bernard Shaw and Oscar Wilde and the Norwegian Henrik Ibsen, all of whom influenced domestic English drama and vitalised it again.

Today the West End of London has a large number of theatres, particularly centred around Shaftesbury Avenue. A prolific composer of the 20th century Andrew Lloyd Webber has dominated the West End for a number of years and his musicals have travelled to Broadway in New York and around the world, as well as being turned into films.

The Royal Shakespeare Company operates out of Shakespeare's birthplace Stratford-upon-Avon in England, producing mainly but not exclusively Shakespeare's plays.

Important modern playwrights include Alan Ayckbourn, John Osborne, Harold Pinter, Tom Stoppard, and Arnold Wesker. Template:Clr

Music

Composers William Byrd, Thomas Tallis, John Taverner, John Blow, Henry Purcell, Edward Elgar, Arthur Sullivan, William Walton, Ralph Vaughan Williams, Benjamin Britten and Michael Tippett have made major contributions to British music, and are known internationally. Living composers include John Tavener, Harrison Birtwistle, Andrew Lloyd Webber, and Oliver Knussen.

Britain also supports a number of major orchestras including the BBC Symphony Orchestra, the Royal Philharmonic Orchestra, the Philharmonia, the London Symphony Orchestra and the London Philharmonic Orchestra. Because of its location and other economic factors, London is one of the most important cities for music in the world: it has several important concert halls and is also home to the Royal Opera House, one of the world's leading opera houses. British traditional music has also been very influential abroad.

The UK was, with the US, one of the two main countries in the development of rock and roll, and has provided bands including The Beatles, the Rolling Stones, Led Zeppelin, The Who, Pink Floyd, Queen, Elton John, David Bowie, Judas Priest, Iron Maiden, Status Quo, The Smiths, the Sex Pistols, The Clash, the Manic Street Preachers, Duran Duran, The Cure, Oasis, Blur, Radiohead and Coldplay. It has provided inspiration for many modern bands today, including Kaiser Chiefs, Bloc Party, Babyshambles, The Libertines, Arctic Monkeys and Franz Ferdinand. Since then it has also pioneered in various forms of electronic dance music including acid house, drum and bass and trip hop, all of which were in whole or part developed in the United Kingdom. Acclaimed British dance acts include Underworld, Orbital, Massive Attack, The KLF, The Prodigy, The Chemical Brothers and Portishead.

Broadcasting

Britain has been at the forefront of developments in film, radio, and television.

Many important films have been produced in Britain over the last century, and a large number of significant actors and film-makers have emerged. Currently the main film production centres are at Shepperton and Pinewood Studios.

Broadcasting in Britain has historically been dominated by the BBC, although independent radio and television (ITV, Channel 4, Five) and satellite broadcasters (especially BSkyB) have become more important in recent years. BBC television, and the other three main television channels are public service broadcasters who, as part of their license allowing them to operate, broadcast a variety of minority interest programming. The BBC and Channel 4 are state-owned, though they operate independently.

Britain has a large number of national and local radio stations which cover a great variety of programming. The most listened to stations are the five main national BBC radio stations. BBC Radio 1, a new music station aimed at the 16-24 age group. BBC Radio 2, a varied popular music and chat station aimed at adults is consistently highest in the ratings. BBC Radio 4, a varied talk station, is noted for its news, current affairs, drama and comedy output as well as The Archers, its long running soap opera, and other unique programmes. The BBC, as a public service broadcaster, also runs minority stations such as BBC Asian Network, BBC 1xtra and BBC 6 Music, and local stations throughout the country.

Visual art

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The oldest art in the United Kingdom can be dated to the Neolithic period, and is found in a funerary context. But it is in the Bronze age that the first innovative artworks are found. The Beaker people, who arrived in Britain around 2500 BC, were skilled in metal refining. At first, they worked mainly in copper, but around 2150 BC they learned how to make bronze. As there was a ready supply of tin in Cornwall and Devon, they were able to make take advantage of this new process. They were also skilled in the use of gold, and especially the Wessex culture excelled in the making of gold ornaments. Works of art placed in graves or sacrificial pits have survived, showing both innovation and high skill.

In the Iron Age, the Celtic culture spread in the British isles, and with them a new art style. Metalwork, especially gold ornaments, was still important, but stone and most likely wood was also used. This style continued into the Roman period, and would find a renaissance in the Medieval period. It also survived in the Celtic areas not occupied by the Romans, largely corresponding to the present-day Wales and Scotland.

Image:Thomas Gainsborough 008.jpg
Thomas Gainsborough's Blue boy, painted 1770

The Romans, arriving in the 1st century BC, brought with them the Classical style. Many monuments have survived, especially funerary monuments, statues and busts. They also brought glasswork and mosaics. In the 4th century, a new element was introduced as the first Christian art was made in Britain. Several mosaics with Christian symbols and pictures have been preserved. The style of Romano-British art follows that of the continent, but there are some local specialities, to some extent influenced by Celtic art.

Roman rule was replaced by a number of kingdoms with different cultural backgrounds. The Celtic fringe gained back some of the power lost in the Roman period, and the Celtic style again became a factor influencing art all over Britain. Other peoples, such as the Saxons, Jutes and Danes, brought with them Germanic and Scandinavian art styles. Celtic and Scandinavian art have several common elements, such as the use of intricate, intertwined patterns of decoration. Leaving the debate over which style influenced the other most aside, it seems reasonable to say that in Britain the different style to some extent fused into a British Celtic-Scandinavian hybrid.

Anglo-Saxon sculpting was outstanding for its time in the 11th century, as proved by pre-Norman ivory carvings. [2] Christianity, before the religion of parts of the Roman ruling class, started spreading among the peoples of Britain from the end of the 6th century. There was little change in the art style at first, but new elements were added. The Celtic high crosses are well-known examples of the use of Celtic patterns in Christian art. Scenes from the Bible were depicted, framed with the ancient patterns. Some ancient symbols were redefined, such as the many Celtic symbols that can easily be interpreted as referring to the Holy Trinity. One new form of art that was introduced was mural paintings. Christianity provided two elements needed for this art form to take root: Monks who were familiar with the techniques, and stone churches with white-chalked walls suitable for murals. As the artists were often foreign monks, or lay artists trained on the continent, the style is very close to that of continental art. Another art form introduced through the church was stained glass, which was also adopted for secular uses.

The English Renaissance, starting in the early 16th century, was a parallel to the Italian Renaissance, but did not develop in exactly the same way. It was mainly concerned with music and literature; in art and architecture the change was not as clearly defined as in the continent. Painters from the continent continued to find work in Britain, and brought the new styles with them, especially the Flemish and Italian Renaissance styles.

As a reaction to abstract expressionism, pop art emerged originally in England at the end of the 1950s.

New York-born Sir Jacob Epstein was a pioneer of modern sculpture, boldly challenging taboos through his public works.

Notable visual artists from the United Kingdom include John Constable, Sir Joshua Reynolds, Thomas Gainsborough, William Blake and J.M.W. Turner. In the 20th century, Francis Bacon, David Hockney, Bridget Riley, and the pop artists Richard Hamilton and Peter Blake were of note.

More recently, the so-called Young British Artists have gained some notoriety, particularly Damien Hirst and Tracey Emin.

Notable illustrators include Aubrey Beardsley, Roger Hargreaves, and Beatrix Potter.

Notable arts institutions include the Allied Artists' Association, Royal College of Art, Artists' Rifles, Royal Society of Arts, New English Art Club, Slade School of Art, Royal Academy, and the Tate Gallery.

Template:See also

Architecture

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The earliest remnants of architecture in the United Kingdom are mainly neolithic monuments such as Stonehenge and Avebury, and Roman ruins such as the spa in Bath. Many castles remain from the medieval period and in most towns and villages the parish church is an indication of the age of the settlement, built as they were from stone rather than the traditional wattle and daub.

Over the two centuries following the Norman conquest of 1066, and the building of the Tower of London, many great castles such as Caernarfon Castle in Wales and Carrickfergus Castle in Ireland were built to suppress the natives. Large houses continued to be fortified until the Tudor period, when the first of the large gracious unfortified mansions such as the Elizabethan Montacute House and Hatfield House were built.

The Civil War 164249 proved to be the last time in British history that houses had to survive a siege. Corfe Castle was destroyed following an attack by Oliver Cromwell's army, but Compton Wynyates survived a similar ordeal. After this date houses were built purely for living, and design and appearance were for ever more important than defence.

Just prior to the Civil War, Inigo Jones, who is regarded as the first significant British architect, came to prominence. He was responsible for importing the Palladian manner of architecture to Britain from Italy; the Queen's House at Greenwich is perhaps his best surviving work.

Following the restoration of the monarchy in 1660 and the Great Fire of London in 1666 an opportunity was missed in London to create a new metropolitan city, featuring modern architectural styles. Although one of the best known British architects, Sir Christopher Wren, was employed to design and rebuild many of the ruined ancient churches of London, his master plan for rebuilding London as a whole was rejected. It was in this period that he designed the building that he is perhaps best known for, St Paul's Cathedral.

In the early 18th century baroque architecture—popular in Europe—was introduced, and Blenheim Palace was built in this era. However, baroque was quickly replaced by a return of the Palladian form. The Georgian architecture of the 18th century was an evolved form of Palladianism. Many existing buildings such as Woburn Abbey and Kedleston Hall are in this style. Among the many architects of this form of architecture and its successors, neoclassical and romantic, were Robert Adam, Sir William Chambers, and James Wyatt.

In the early 19th century the romantic medieval gothic style appeared as a backlash to the symmetry of Palladianism, and such buildings as Fonthill Abbey were built. By the middle of the 19th century, as a result of new technology, construction was able to develop incorporating steel as a building component; one of the greatest exponents of this was Joseph Paxton, architect of the Crystal Palace. Paxton also continued to build such houses as Mentmore Towers, in the still popular retrospective Renaissance styles. In this era of prosperity and development British architecture embraced many new methods of construction, but ironically in style, such architects as August Pugin ensured it remained firmly in the past.

At the beginning of the 20th century a new form of design arts and crafts became popular, the architectural form of this style, which had evolved from the 19th century designs of such architects as George Devey, was championed by Edwin Lutyens. Arts and crafts in architecture is symbolized by an informal, non symmetrical form, often with mullioned or lattice windows, multiple gables and tall chimneys. This style continued to evolve until World War II.

Following the Second World War reconstruction went through a variety of phases, but was heavily influenced by Modernism, especially from the late 1950s to the early 1970s. Many bleak town centre redevelopments—criticised for featuring hostile, concrete-lined "windswept plazas"—were the fruit of this interest, as were many equally bleak public buildings, such as the Hayward Gallery. Many Modernist inspired town centres are today in the process of being redeveloped, Bracknell town centre being a case in point.

However, it should not be forgotten that in the immediate post-War years many thousands (perhaps hundreds of thousands) of council houses in vernacular style were built, giving working class people their first experience of private gardens and indoor sanitation.

Modernism remains a significant force in UK architecture, although its influence is felt predominantly in commercial buildings. The two most prominent proponents are Lord Rogers of Riverside and Lord Foster of Thames Bank. Rogers' iconic London buildings are probably Lloyd's Building and the Millennium Dome, while Foster created the Swiss Re Buildings (aka The Gherkin) and the Greater London Authority H.Q.


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