Veil of Veronica
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- | '''The Veil of Veronica''', or '''Sudarium''' (Latin for sweat-cloth), often called simply "The Veronica" and known in Italian as the '''Volto Santo''' or ''Holy Face'' (but not to be confused with the carved [[crucifix]] [[Volto Santo of Lucca]]) is a [[Catholic relic]], which, according to legend, bears the [[likeness] of the [[Face of Jesus] not made by human hand (i.e. an [[Acheiropoieta]]). | + | '''The Veil of Veronica''', or '''Sudarium''' (Latin for sweat-cloth), often called simply "The Veronica" and known in Italian as the '''Volto Santo''' or ''Holy Face'' (but not to be confused with the carved [[crucifix]] [[Volto Santo of Lucca]]) is a [[Catholic relic]], which, according to legend, bears the [[likeness] of the [[Face of Jesus]] not made by human hand (i.e. an [[Acheiropoieta]]). |
The most recent version of the legend recounts that [[Saint Veronica|Veronica]] from [[Jerusalem]] encountered [[Jesus]] along the [[Via Dolorosa]] on the way to [[Calvary]]. When she paused to wipe the [[sweat]] (Latin ''suda'') off his face with her [[veil]], his image was imprinted on the cloth. The event is commemorated by one of the [[Stations of the Cross]]. According to some versions, Veronica later traveled to Rome to present the cloth to the Roman Emperor [[Tiberius]] and the veil possesses miraculous properties, being able to quench thirst, cure blindness, and sometimes even raise the dead. | The most recent version of the legend recounts that [[Saint Veronica|Veronica]] from [[Jerusalem]] encountered [[Jesus]] along the [[Via Dolorosa]] on the way to [[Calvary]]. When she paused to wipe the [[sweat]] (Latin ''suda'') off his face with her [[veil]], his image was imprinted on the cloth. The event is commemorated by one of the [[Stations of the Cross]]. According to some versions, Veronica later traveled to Rome to present the cloth to the Roman Emperor [[Tiberius]] and the veil possesses miraculous properties, being able to quench thirst, cure blindness, and sometimes even raise the dead. | ||
The story is not recorded in its present form until the Middle Ages and for this reason, is unlikely to be historical. Rather, its origins are more likely to be found in the story of the image of Jesus associated with the Eastern Church known as the [[Mandylion]], coupled with the desire of the faithful be able to see the face of their Redeemer. During the fourteenth century it became a central icon in the Western Church – in the words of Art Curator [[Neil Macgregor]] – “From [the 14th Century] on, wherever the Roman Church went, the Veronica would go with it.{{GFDL}} | The story is not recorded in its present form until the Middle Ages and for this reason, is unlikely to be historical. Rather, its origins are more likely to be found in the story of the image of Jesus associated with the Eastern Church known as the [[Mandylion]], coupled with the desire of the faithful be able to see the face of their Redeemer. During the fourteenth century it became a central icon in the Western Church – in the words of Art Curator [[Neil Macgregor]] – “From [the 14th Century] on, wherever the Roman Church went, the Veronica would go with it.{{GFDL}} |
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The Veil of Veronica, or Sudarium (Latin for sweat-cloth), often called simply "The Veronica" and known in Italian as the Volto Santo or Holy Face (but not to be confused with the carved crucifix Volto Santo of Lucca) is a Catholic relic, which, according to legend, bears the [[likeness] of the Face of Jesus not made by human hand (i.e. an Acheiropoieta).
The most recent version of the legend recounts that Veronica from Jerusalem encountered Jesus along the Via Dolorosa on the way to Calvary. When she paused to wipe the sweat (Latin suda) off his face with her veil, his image was imprinted on the cloth. The event is commemorated by one of the Stations of the Cross. According to some versions, Veronica later traveled to Rome to present the cloth to the Roman Emperor Tiberius and the veil possesses miraculous properties, being able to quench thirst, cure blindness, and sometimes even raise the dead.
The story is not recorded in its present form until the Middle Ages and for this reason, is unlikely to be historical. Rather, its origins are more likely to be found in the story of the image of Jesus associated with the Eastern Church known as the Mandylion, coupled with the desire of the faithful be able to see the face of their Redeemer. During the fourteenth century it became a central icon in the Western Church – in the words of Art Curator Neil Macgregor – “From [the 14th Century] on, wherever the Roman Church went, the Veronica would go with it.