Void  

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 +[[Image:Theatre from Ars Memoriae by Robert Fludd.jpg|thumb|right|200px|''[[Ars Memoriae]]'': The [[Theatre]] ([[1619]]) - [[Robert Fludd]]
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 +“In the [[illusion|illusory]] [[babel]]s of language, an [[artist]] might [[avant-garde|advance]] specifically to get [[lost]], and to [[drugs|intoxicate]] himself in dizzying syntaxes, seeking odd [[intersection]]s of [[meaning]], [[strange]] corridors of history, [[unexpected]] echoes, [[unknown]] humors, or [[void]]s of [[knowledge…]] but this quest is [[risky]], full of bottomless [[fiction]]s and endless architectures and [[counter]]-architectures… at the end, if there is an end, are perhaps only [[meaningless]] reverberations.” --[[Robert Smithson]]]]
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{{Template}} {{Template}}
-# An empty space; a [[vacuum]].+# An [[empty space]]; a [[vacuum]].
{{GFDL}} {{GFDL}}

Revision as of 23:29, 3 December 2008

Ars Memoriae: The Theatre (1619) - Robert Fludd  “In the illusory babels of language, an artist might advance specifically to get lost, and to intoxicate himself in dizzying syntaxes, seeking odd intersections of meaning, strange corridors of history, unexpected echoes, unknown humors, or voids of knowledge… but this quest is risky, full of bottomless fictions and endless architectures and counter-architectures… at the end, if there is an end, are perhaps only meaningless reverberations.” --Robert Smithson
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Ars Memoriae: The Theatre (1619) - Robert Fludd
“In the illusory babels of language, an artist might advance specifically to get lost, and to intoxicate himself in dizzying syntaxes, seeking odd intersections of meaning, strange corridors of history, unexpected echoes, unknown humors, or voids of knowledge… but this quest is risky, full of bottomless fictions and endless architectures and counter-architectures… at the end, if there is an end, are perhaps only meaningless reverberations.” --Robert Smithson

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  1. An empty space; a vacuum.




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