Adonis A. Kyrou  

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== The marvelous is popular == == The marvelous is popular ==
-''The marvelous is popular'' is one of the most often quoted excerpts of ''[[Le Surréalisme au cinéma]]''.+''The [[marvelous]] is popular'' is one of the most often quoted excerpts of ''[[Le Surréalisme au cinéma]]''.
: "J'abhorre les aristocrates et les aristocraties (de classe ou de n'importe quoi). Qu'ils gardens leurs [[Robert Bresson|Bresson]]s et leurs [[Jean Cocteau|Cocteau]]x. Le [[marvelous|merveilleux]] cinématographique, le merveilleux moderne est [[populaire]] et les meilleurs exemples de films exaltants sont, depuis [[Georges Méliès|Méliès]] et [[Fantômas]], [[Grindhouse|les films des salles de quartiers populaires]], les films qui, paraît-il, n'ont pas leur place dans [[history of film|l'histoire du cinéma]]. --page 100, 2005 edition. : "J'abhorre les aristocrates et les aristocraties (de classe ou de n'importe quoi). Qu'ils gardens leurs [[Robert Bresson|Bresson]]s et leurs [[Jean Cocteau|Cocteau]]x. Le [[marvelous|merveilleux]] cinématographique, le merveilleux moderne est [[populaire]] et les meilleurs exemples de films exaltants sont, depuis [[Georges Méliès|Méliès]] et [[Fantômas]], [[Grindhouse|les films des salles de quartiers populaires]], les films qui, paraît-il, n'ont pas leur place dans [[history of film|l'histoire du cinéma]]. --page 100, 2005 edition.

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Adonis Kyrou (Athens, October 18, 1923 - Paris November 4, 1985) was a French film critic and filmmaker born in Greece. He is the author of L'age d'or de la carte postale (1966), Amour - érotisme & cinéma (1957) and Le Surréalisme au cinéma (1952|1963), the last two published by Eric Losfeld. He along with Robert Benayoun was a regular contributor to French film journals L'Âge du cinéma and Positif. In both 1954 and 1955, he contributed a 10 best films list to Cahiers du Cinéma, a magazine he did not like very much because of its seriousness.

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The marvelous is popular

The marvelous is popular is one of the most often quoted excerpts of Le Surréalisme au cinéma.

"J'abhorre les aristocrates et les aristocraties (de classe ou de n'importe quoi). Qu'ils gardens leurs Bressons et leurs Cocteaux. Le merveilleux cinématographique, le merveilleux moderne est populaire et les meilleurs exemples de films exaltants sont, depuis Méliès et Fantômas, les films des salles de quartiers populaires, les films qui, paraît-il, n'ont pas leur place dans l'histoire du cinéma. --page 100, 2005 edition.

Translated by

"They can keep their Bressons and their Cocteaus. The cinematic, modern marvelous is popular, and the best and most exciting films are, beginning with Méliès and Fantômas, the films shown in local fleapits, films which seem to have no place in the history of cinema." --Kyrou, Ado. “The Marvelous is Popular.”

This quote was published first in Paul Hammond's The Shadow and its Shadow anthology and later by Joan Hawkins in Cutting Edge.

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