All art constantly aspires towards the condition of music  

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 +[[Image:Laocoön Group, Clamores horrendos detail, photo by Marie-Lan Nguyen (2009).jpg|thumb|right|200px|This page '''{{PAGENAME}}''' is part of the [[medium specificity]] series.
 +<br>
 +<small>Illustration: ''[[Laocoön and His Sons]]'' ("[[Clamores horrendos]]" detail), photo by Marie-Lan Nguyen.</small>]]
{{Template}} {{Template}}
-"[[All art aspires towards the condition of music]]" is a maxim by [[Walter Pater]].+"[[All art constantly aspires towards the condition of music]]" is a dictum by [[Walter Pater]].
-The maxim is from an essay on 'The School of [[Giorgione]]' (''[[Fortnightly Review]]'', 1877), and was added to the third edition (1888) of ''[[Studies in the Renaissance]]''. It is much-quoted maxim and reads in full "''All art constantly aspires towards the condition of music''" (i.e. the arts seek to unify [[subject matter]] and [[form]], and music is the only art in which subject and form are seemingly one). +The dictum is from an essay titled "[[The School of Giorgione]]" (1877), which was added to the third edition (1888) of ''[[Studies in the Renaissance]]''. It is a much-quoted maxim and means that the arts seek to unify [[subject matter]] and [[form]], and music is the only art in which subject and form are seemingly one.
==See also== ==See also==
 +
 +*[[Hierarchy of the arts]]
 +*[[Medium specificity]]
*[[Paragone]] *[[Paragone]]
-*''[[The Condition of Muzak]]''+*''[[The Condition of Muzak]]'' (1977), a novel by Michael Moorcock
{{GFDL}} {{GFDL}}
 +[[Category:Dicta]]

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This page All art constantly aspires towards the condition of music is part of the medium specificity series.  Illustration: Laocoön and His Sons ("Clamores horrendos" detail), photo by Marie-Lan Nguyen.
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This page All art constantly aspires towards the condition of music is part of the medium specificity series.
Illustration: Laocoön and His Sons ("Clamores horrendos" detail), photo by Marie-Lan Nguyen.

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"All art constantly aspires towards the condition of music" is a dictum by Walter Pater.

The dictum is from an essay titled "The School of Giorgione" (1877), which was added to the third edition (1888) of Studies in the Renaissance. It is a much-quoted maxim and means that the arts seek to unify subject matter and form, and music is the only art in which subject and form are seemingly one.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "All art constantly aspires towards the condition of music" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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