Andrew Lang  

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"The Greek for reading means, Lang reminds us [in The Pleasures of Bookland] reading aloud."--The Anatomy of Bibliomania (1930) by Holbrook Jackson

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Andrew Lang (1844 – 1912) was Scottish poet, novelist, and literary critic, and contributor to anthropology. He now is best known as one of the most important collector of folk and fairy tales.

He is known for books such as The Library (1881) Custom and Myth (1884) and Cock Lane and Common Sense (1894).

Contents

See also

Works

To 1884

  • St Leonards Magazine. 1863. This was a reprint of several articles that appeared in the St Leonards Magazine that Lang edited at St Andrews University. Includes the following Lang contributions: Pages 10–13, Dawgley Manor; A sentimental burlesque; Pages 25–26, Nugae Catulus; Pages 27–30, Popular Philosophies; pages 43–50 are Papers by Eminent Contributors, seven short parodies of which six are by Lang.
  • The Ballads and Lyrics of Old France (1872)
  • The Odyssey of Homer Rendered into English Prose (1879) translator with Samuel Henry Butcher
  • Aristotle's Politics Books I. III. IV. (VII.). The Text of Bekker. With an English translation by W. E. Bolland. Together with short introductory essays by A. Lang To page 106 are Lang's Essays, pp. 107–305 are the translation. Lang's essays without the translated text were later published as The Politics of Aristotle. Introductory Essays. 1886.
  • The Folklore of France (1878)
  • Specimens of a Translation of Theocritus. 1879. This was an advance issue of extracts from Theocritus, Bion and Moschus rendered into English prose
  • XXXII Ballades in Blue China (1880)
  • Oxford. Brief historical & descriptive notes (1880). The 1915 edition of this work was illustrated by painter George Francis Carline.<ref>Waters, Grant M.. Dictionary of British Artists, Working 1900–1950, (Eastbourne Fine Art, Eastbourne, 1975), p. 59</ref>
  • 'Theocritus Bion and Moschus. Rendered into English Prose with an Introductory Essay. 1880.
  • Notes by Mr A. Lang on a collection of pictures by Mr J. E. Millais R.A. exhibited at the Fine Arts Society Rooms. 148 New Bond Street. 1881.
  • The Library: with a chapter on modern illustrated books. 1881.
  • The Black Thief. A new and original drama (Adapted from the Irish) in four acts. (1882)
  • Helen of Troy, her life and translation. Done into rhyme from the Greek books. 1882.
  • The Most Pleasant and Delectable Tale of the Marriage of Cupid and Psyche (1882) with William Aldington
  • The Iliad of Homer, a prose translation (1883) with Walter Leaf and Ernest Myers
  • Custom and Myth (1884)
  • The Princess Nobody: A Tale of Fairyland (1884)
  • Ballads and Verses Vain (1884) selected by Austin Dobson
  • Rhymes à la Mode (1884)
  • Much Darker Days. By A. Huge Longway. (1884)
  • Household tales; their origin, diffusion, and relations to the higher myths. [1884]. Separate pre-publication issue of the "introduction" to Bohn's edition of Grimm's Household tales.

1885–1889

  • That Very Mab (1885) with May Kendall
  • Books and Bookmen (1886)
  • Letters to Dead Authors (1886)
  • In the Wrong Paradise (1886) stories
  • The Mark of Cain (1886) novel
  • Lines on the inaugural meeting of the Shelley Society. Reprinted for private distribution from the Saturday Review of 13 March 1886 and edited by Thomas Wise (1886)
  • La Mythologie Traduit de L'Anglais par Léon Léon Parmentier. Avec une préface par Charles Michel et des Additions de l'auteur. (1886) Never published as a complete book in English, although there was a Polish translation. The first 170 pages is a translation of the article in the 'Encyclopædia Britannica'. The rest is a combination of articles and material from 'Custom and Myth'.
  • Almae matres (1887)
  • He (1887 with Walter Herries Pollock) parody
  • Aucassin and Nicolette (1887)
  • Myth, Ritual and Religion (2 vols., 1887)
  • Johnny Nut and the Golden Goose. Done into English from the French of Charles Deulin (1887)
  • Grass of Parnassus. Rhymes old and new. (1888)
  • Perrault's Popular Tales (1888)
  • Gold of Fairnilee (1888)
  • Pictures at Play or Dialogues of the Galleries (1888) with W. E. Henley
  • Prince Prigio (1889)
  • The Blue Fairy Book (1889) (illustrations by Henry J. Ford)
  • Letters on Literature (1889)
  • Lost Leaders (1889)
  • Ode to Golf. Contribution to On the Links; being Golfing Stories by various hands (1889)
  • The Dead Leman and other tales from the French (1889) translator with Paul Sylvester

1890–1899

1900–1909

1910–1912

  • The Lilac Fairy Book (1910)
  • Does Ridicule Kill? (1910)
  • Sir Walter Scott and the Border Minstrelsy (1910)
  • The World of Homer (1910)
  • The All Sorts of Stories Book (1911)
  • Ballades and Rhymes (1911)
  • Method in the Study of Totemism (1911)
  • The Book of Saints and Heroes (1912)
  • Shakespeare, Bacon and the Great Unknown (1912)
  • A History of English Literature (1912)
  • In Praise of Frugality (1912)
  • Ode on a Distant Memory of Jane Eyre (1912)
  • Ode to the Opening Century (1912)

Posthumous

  • Highways and Byways in The Border (1913) with John Lang
  • The Strange Story Book (1913) with Mrs. Lang
  • The Poetical Works (1923) edited by Mrs. Lang, four volumes
  • Old Friends Among the Fairies: Puss in Boots and Other Stories. Chosen from the Fairy Books (1926)
  • Tartan Tales From Andrew Lang (1928) edited by Bertha L. Gunterman
  • From Omar Khayyam (1935)

Andrew Lang's Fairy Books

Lang selected and edited 25 collections of stories that were published annually, beginning with The Blue Fairy Book in 1889 and ending with The Strange Story Book in 1913. They are sometimes called Andrew Lang's Fairy Books although the Blue Fairy Book and other Coloured Fairy Books are only 12 in the series. In this chronological list the Coloured Fairy Books alone are numbered. Template:Colbegin

See also





Unless indicated otherwise, the text in this article is either based on Wikipedia article "Andrew Lang" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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