Apophenia  

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-:''[[blur]], [[football chant]]'' 
-"'''Song 2'''" is a song by English [[alternative rock]] band [[Blur (band)|Blur]], and the second single released from their fifth album ''[[Blur (album)|Blur]]'' in April 1997. The riff-based track, known for its overdriven chorus, is among the most well-known songs the band has recorded, particularly in the United States, where it is their most recognisable song.+'''Apophenia''' is the experience of seeing patterns or connections in [[randomness|random]] or meaningless data. The term was coined in [[1958]] by [[Klaus Conrad]], who defined it as the "unmotivated seeing of connections" accompanied by a "specific experience of an abnormal meaningfulness".
-==Information==+:"While observations of relevant work environments and human behaviors in these environments is a very important first step in coming to understand any new domain, this activity is in and of its self not sufficient to constitute scientific research. It is fraught with problems of subjective bias in the observer. We (like the experts we study) often see what we expect to see, we interpret the world through our own personal lens. Thus we are extraordinarily open to the trap of apophenia. --[[Klaus Conrad]]
-[[Damon Albarn]] stated at the song's debut live performance at the [[Royal Dublin Society|RDS]] in [[Dublin]] in June 1996 that "This one's called 'Song 2', 'cos we haven't got a name for it yet". The working title ended up sticking. It was said that the song was about [[Pavement (band)|Pavement]]'s [[Bob Nastanovich]], known for his colourful and energetic stage presence. In keeping with the title of the song, it was the second track on the album, was the second single from the album to be released, is exactly two minutes and two seconds long, and is also the second track on their compilation ''[[Blur: The Best of]]''. It reached #2 in the [[UK singles chart]] and also placed #2 on [[Triple J]]'s [[Hottest 100]] for 1997 in Australia. (See [[Apophenia]].)+
-==Reception==+In [[statistics]], apophenia would be classed as a [[Type I and type II errors|Type I error]] (false positive, [[false alarm]], caused by an excess in [[Sensitivity analysis|sensitivity]]). Apophenia is often used as an explanation of paranormal and [[Religion|religious]] claims, and can also explain a belief in [[pseudoscience]].
-In the UK, "Song 2" built upon the success of Blur's chart-topping single "[[Beetlebum]]" to reach number two in the charts. It was also the band's biggest hit in the US, reaching number six on ''[[Billboard (magazine)|Billboard]]''{{'}}s [[Modern Rock Tracks]] chart. Though it is atypical of Blur's trademark style, in America it is the song most closely associated with the band.+
-The song became quite popular upon its release in 1997 on college and [[modern rock]] radio stations in the USA. Due to its catchy chorus, mainly the word "[[Woohoo]]", it has been licensed worldwide on numerous occasions. Its first and most notable appearance came as the title music for the hit video game [[FIFA '98: Road To World Cup|FIFA '98]]. It has been used in numerous advertisements, including commercials for the [[Pentium II]] and Nissan Sentra and television spots for the film ''[[Starship Troopers (film)|Starship Troopers]]'', and it is often heard in football, ice hockey, and baseball stadiums when goals or runs are scored. For one season, the [[Philadelphia Flyers]] of the [[National Hockey League]] played this song every time they scored a goal in a home game. The [[Carolina League]]'s [[Wilmington Blue Rocks]] play the song each time a run is scored while one of their mascots, Mr. Celery, dances on the field. It is also played by the [[National Football League|National Football League's]] [[New England Patriots]] whenever a [[Field goal (football)|field goal]] is scored during home games at [[Gillette Stadium]]. The [[National Football League|National Football League's]] [[San Francisco 49ers]] and [[Canadian Football League|Canadian Football League's]] [[Toronto Argonauts]] also play this song when a [[touchdown]] is scored. The song also gained recognition in Canada, as the theme for the [[Labatt Brewing Company]]. It's also played whenever [[Major League Baseball|Major League Baseball's]] [[Anaheim Angels]] hit a [[home run]] at [[Angel Stadium|Angel Stadium Of Anaheim]].+Conrad originally described this phenomenon in relation to the distortion of reality present in [[psychosis]], but it has become more widely used to describe this tendency in healthy individuals without necessarily implying the presence of [[Neurology|neurological]] differences or [[mental illness]]. In the case of [[autistic spectrum disorder]]s, including [[Asperger's syndrome]] and individuals who are [[autistic savant]]s, individuals may in fact be aware of patterns (such as those present in complex systems, large numbers, music, etc) that are infrequently noticed by [[neurotypical]] people. Rather than being aware of patterns that do not exist, autistic individuals may be aware of meaningful patterns within situations that appear meaningless to others.
-The American military allegedly requested to use the track at the launch of a new stealth bomber , but the band refused to allow this, as Albarn is an anti-war campaigner.+==Examples==
-The song also has been covered by [[Avril Lavigne]] (on drums) with [[David Desrosiers]] ([[Simple Plan]]), during Avril's [[Bonez World Tour]].+===Pareidolia===
 +[[Pareidolia]] is a type of apophenia involving the finding of images or sounds in random stimuli. For example, hearing a ringing phone whilst taking a shower. The noise produced by the running water gives a random background from which the patterned sound of a ringing phone might be 'produced'.
-==Music video==+===Fiction===
-The [[music video]] for this song was directed by [[Sophie Muller]], and it features the band playing in a small, secluded room with loud speakers behind them. During the choruses a strong wind seems to blow in the room. This video bears striking resemblances to Blur's video for "[[Popscene]]".+[[Postmodern novel]]ists and film-makers have reflected on apophenia-related phenomena, such as [[paranoid narration]] or [[fuzzy]] plotting (e.g., [[Vladimir Nabokov|Vladimir Nabokov's]] "[[Signs and Symbols]]", [[Thomas Pynchon|Thomas Pynchon's]] ''[[The Crying of Lot 49]]'' and ''[[V.]]'', [[Alan Moore|Alan Moore's]] ''[[Watchmen]]'', [[Umberto Eco|Umberto Eco's]] ''[[The Name of the Rose]]'' and ''[[Foucault's Pendulum]]'', [[William Gibson]]'s ''[[Pattern Recognition (novel)|Pattern Recognition]]'', James Curcio's ''[[Join My Cult]]'', [[Arturo Pérez-Reverte|Arturo Pérez-Reverte's]] ''[[The Club Dumas]]'', ''[[The Illuminatus! Trilogy]]'' by [[Robert Shea]] and [[Robert Anton Wilson]], and the [[film]]s ''[[Conspiracy Theory (film)|Conspiracy Theory]]'', [[Darren Aronofsky]]'s ''[[Pi (film)|π]]'', ''[[A Beautiful Mind (film)|A Beautiful Mind]]'', ''[[The Number 23]]'' and ''[[The Nines]]''). In a sly reference to Moore's ''Watchmen'', the conspiracy-obsessed superhero ''[[Question (comics)|The Question]]'' is accused of suffering from apophenia in "Double Date," an episode of the animated TV series ''[[Justice League Unlimited]]''.
-==Track listing==+As narrative is one of our major cognitive instruments for structuring reality, there is some common ground between apophenia and narrative [[Fallacy|fallacies]] such as [[hindsight bias]]. Since pattern recognition may be related to plans, goals, and ideology, and may be a matter of group ideology rather than a matter of solitary delusion, the interpreter attempting to diagnose or identify apophenia may have to face a conflict of [[interpretation (logic)|interpretation]]s.
-;7"+==See also==
-#"Song 2"+* [[Clustering illusion]]
-#"Get Out of Cities"+* [[Confirmation bias]]
- +* [[Conspiracy theory]]
-;CD1+* [[Delusions of reference]]
-#"Song 2"+* [[Forer effect]]
-#"Get Out of Cities"+* [[Synchronicity]]
-#"Polished Stone"+* [[Hindsight bias]]
- +* [[23 Enigma]]
-;CD2+
-#"Song 2"+
-#"Bustin' + Dronin'"+
-#"Country Sad Ballad Man" (live acoustic)+
- +
-;International CD+
-#"Song 2"+
-#"Get Out of Cities"+
-#"Polished Stone"+
-#"Bustin' + Dronin'"+
- +
-;Japan Tour CD+
-#"Song 2"+
-#"Get Out of Cities"+
-#"Polished Stone"+
-#"Bustin' + Dronin'"+
-#"[[Beetlebum]]" (Mario Caldato Jr. mix)+
-#"[[Beetlebum]]" (instrumental)+
-#"Country Sad Ballad Man" (live acoustic)+
-#"On Your Own" (live acoustic)+
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Apophenia is the experience of seeing patterns or connections in random or meaningless data. The term was coined in 1958 by Klaus Conrad, who defined it as the "unmotivated seeing of connections" accompanied by a "specific experience of an abnormal meaningfulness".

"While observations of relevant work environments and human behaviors in these environments is a very important first step in coming to understand any new domain, this activity is in and of its self not sufficient to constitute scientific research. It is fraught with problems of subjective bias in the observer. We (like the experts we study) often see what we expect to see, we interpret the world through our own personal lens. Thus we are extraordinarily open to the trap of apophenia. --Klaus Conrad

In statistics, apophenia would be classed as a Type I error (false positive, false alarm, caused by an excess in sensitivity). Apophenia is often used as an explanation of paranormal and religious claims, and can also explain a belief in pseudoscience.

Conrad originally described this phenomenon in relation to the distortion of reality present in psychosis, but it has become more widely used to describe this tendency in healthy individuals without necessarily implying the presence of neurological differences or mental illness. In the case of autistic spectrum disorders, including Asperger's syndrome and individuals who are autistic savants, individuals may in fact be aware of patterns (such as those present in complex systems, large numbers, music, etc) that are infrequently noticed by neurotypical people. Rather than being aware of patterns that do not exist, autistic individuals may be aware of meaningful patterns within situations that appear meaningless to others.

Contents

Examples

Pareidolia

Pareidolia is a type of apophenia involving the finding of images or sounds in random stimuli. For example, hearing a ringing phone whilst taking a shower. The noise produced by the running water gives a random background from which the patterned sound of a ringing phone might be 'produced'.

Fiction

Postmodern novelists and film-makers have reflected on apophenia-related phenomena, such as paranoid narration or fuzzy plotting (e.g., Vladimir Nabokov's "Signs and Symbols", Thomas Pynchon's The Crying of Lot 49 and V., Alan Moore's Watchmen, Umberto Eco's The Name of the Rose and Foucault's Pendulum, William Gibson's Pattern Recognition, James Curcio's Join My Cult, Arturo Pérez-Reverte's The Club Dumas, The Illuminatus! Trilogy by Robert Shea and Robert Anton Wilson, and the films Conspiracy Theory, Darren Aronofsky's π, A Beautiful Mind, The Number 23 and The Nines). In a sly reference to Moore's Watchmen, the conspiracy-obsessed superhero The Question is accused of suffering from apophenia in "Double Date," an episode of the animated TV series Justice League Unlimited.

As narrative is one of our major cognitive instruments for structuring reality, there is some common ground between apophenia and narrative fallacies such as hindsight bias. Since pattern recognition may be related to plans, goals, and ideology, and may be a matter of group ideology rather than a matter of solitary delusion, the interpreter attempting to diagnose or identify apophenia may have to face a conflict of interpretations.

See also




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