Appeal to emotion  

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Appeal to emotion is a potential fallacy which uses the manipulation of the recipient's emotions, rather than valid logic, to win an argument. Also this kind of thinking may be evident in one who lets emotions and/or other subjective considerations influence one's reasoning process. This kind of appeal to emotion is a type of red herring and encompasses several logical fallacies, including:

Fallacies introduce a failure to support a claim, and thus limit the possibility of an ideology to be recognized as credible. The appeal to emotion fallacy uses emotions as the basis of an argument's position. Therefore, factual evidence does not support the major ideas endorsed by the elicitor of the argument.

Contents

Analytical assumptions

Instead of facts, persuasive language is used to develop the foundation of an appeal to emotion-based argument. Thus, the validity of the premises that establish such an argument does not prove to be verifiable.

Unjustifiable

Conclusively, the appeal to emotion fallacy presents a perspective intended to be superior to reason. Appeals to emotion are intended to draw visceral feelings from the acquirer of the information. And in turn, the acquirer of the information is intended to be convinced that the statements that were presented in the fallacious argument are true; solely on the basis that the statements may induce emotional stimulation such as fear, pity and joy. Though these emotions may be provoked by an appeal to emotion fallacy, substantial proof of the argument is not offered, and the argument's premises remain invalid.

Related fallacies

Other types of fallacies may also overlap with or constitute an appeal to emotion, including:

Examples

See also





Unless indicated otherwise, the text in this article is either based on Wikipedia article "Appeal to emotion" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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