Arabesque
From The Art and Popular Culture Encyclopedia
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Arabesques are an elaborate design of intertwined floral drawings or complex geometrical patterns. This ornamental design is manly used in Islamic art and architecture. It can also refer to an ornate composition, especially for the piano or a dance position in which the dancer stands on one leg, with the other raised backwards, and the arms outstretched.
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Etymology
French arabesque, from Italian arabesco, from arabo (“Arab”).
Arabesque (Islamic art)
The arabesques and geometric patterns of Islamic art are often said to arise from the Islamic view of the world. The depiction of animals and people is generally discouraged, which explains the preference for merely geometric patterns.
There are two modes to arabesque art. The first recalls the principles that govern the order of the world. These principles include the bare basics of what makes objects structurally sound and, by extension, beautiful (i.e. the angle and the fixed/static shapes that it creates—esp. the truss). In the first mode, each repeating geometric form has a built-in symbolism ascribed to it. For example, the square, with its four equilateral sides, is symbolic of the equally important elements of nature: earth, air, fire and water. Without any one of the four, the physical world, represented by a circle that inscribes the square, would collapse upon itself and cease to exist. The second mode is based upon the flowing nature of plant forms. This mode recalls the feminine nature of life giving. In addition, upon inspection of the many examples of Arabesque art, some would argue that there is in fact a third mode, the mode of Arabic calligraphy.
Arabesque (European art)
The Arabesque used as a term in European art, including Byzantine art, is, on one definition, a decorative motif comprising a flowing and voluted formalistic acanthus composition.
Metaphorical usage
Example (meaning: sprawling, complex and convoluted):
- "The Hollywood Hallucination introduces Parker Tyler’s critical arabesques, elaborated in his later books, concerning Mae West, Mickey Mouse, the Good Villain and the Bad Hero"
Tales of the Grotesque and Arabesque
There has been some debate over the meaning of Poe's terms "Grotesque" and "Arabesque" in his short story collection Tales of the Grotesque and Arabesque. Both terms refer to a type of art used to decorate walls. It has been theorized that the "grotesque" stories are those where the character becomes a caricature or satire, as in "The Man That Was Used Up." The "arabesque" stories focus on a single aspect of a character, often psychological, such as "The Fall of the House of Usher."
Further reading
- Von Arabesken, a text by Johann Wolfgang von Goethe on arabesques.