Ardinghello und die glücklichen Inseln
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| - | '''''Ardinghello und die glücklichen Inseln''''' (1787) is a novel by German author [[Wilhelm Heinse]. It is his best-known work and forms the framework for the exposition of his views on art and life, the plot being laid in the Italy of the 16th century. This and his other novels ''Laidion, oder die eleusinischen Geheimnisse'' (1774) and ''Hildegard von Hohenthal'' (1796) combine the frank voluptuousness of [[Wieland]] with the enthusiasm of the "[[Sturm und Drang]]." Both as novelist and art critic, Heinse had considerable influence on the [[romantic school]]. | + | '''''Ardinghello und die glücklichen Inseln''''' (1787) is a novel by German author [[Wilhelm Heinse]]. It is his best-known work and forms the framework for the exposition of his views on art and life, the plot being laid in the Italy of the 16th century. This and his other novels ''Laidion, oder die eleusinischen Geheimnisse'' (1774) and ''Hildegard von Hohenthal'' (1796) combine the frank voluptuousness of [[Wieland]] with the enthusiasm of the "[[Sturm und Drang]]." Both as novelist and art critic, Heinse had considerable influence on the [[romantic school]]. |
| According to [[Friedrich Brie]]'s ''[[Exotismus der Sinne. Eine Studie zur Psychologie der Romantik]]'' (1920) the novel is the only German novel with an outspoken strain of [[exotism]]. | According to [[Friedrich Brie]]'s ''[[Exotismus der Sinne. Eine Studie zur Psychologie der Romantik]]'' (1920) the novel is the only German novel with an outspoken strain of [[exotism]]. | ||
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Ardinghello und die glücklichen Inseln (1787) is a novel by German author Wilhelm Heinse. It is his best-known work and forms the framework for the exposition of his views on art and life, the plot being laid in the Italy of the 16th century. This and his other novels Laidion, oder die eleusinischen Geheimnisse (1774) and Hildegard von Hohenthal (1796) combine the frank voluptuousness of Wieland with the enthusiasm of the "Sturm und Drang." Both as novelist and art critic, Heinse had considerable influence on the romantic school.
According to Friedrich Brie's Exotismus der Sinne. Eine Studie zur Psychologie der Romantik (1920) the novel is the only German novel with an outspoken strain of exotism.
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