From The Art and Popular Culture Encyclopedia
Maillol was born in Banyuls-sur-Mer, Roussillon. He decided at an early age to become a painter, and moved to Paris in 1881 to study art. After several applications, his enrollment in the École des Beaux-Arts was accepted in 1885, and he studied there under Jean-Léon Gérôme and Alexandre Cabanel. His early paintings show the influence of his contemporaries Pierre Puvis de Chavannes and Paul Gauguin.
Gauguin encouraged his growing interest in decorative art, an interest that led Maillol to take up tapestry design. In 1893 Maillol opened a tapestry workshop in Banyuls, producing works whose high technical and esthetic quality gained him recognition for renewing this art form in France. He began making small terra cotta sculptures in 1895, and within a few years his concentration on sculpture led to the abandonment of his work in tapestry.
The subject of nearly all of Maillol's mature work is the female body, treated with a classical emphasis on stable forms. The figurative style of his large bronzes is perceived as an important precursor to the greater simplifications of Henry Moore and Alberto Giacometti, and his serene classicism set a standard for European (and American) figure sculpture until the end of World War II.
He died in Banyuls at the age of eighty-three, in an automobile accident. While driving home during a thunder storm, the car in which he was a passenger skidded off the road and rolled over. A large collection of Maillol's work is maintained at the Maillol Museum in Paris, which was established by Dina Vierny, Maillol's companion during the last 10 years of his life.
His home a few kilometers outside Banyuls, also the site of his final resting place, has been turned into a delightful little museum where a number of his works and sketches are displayed.