Artsploitation  

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"Such artsploitation films combine extremes of sex and violence with stylistic choices, slow pacing, and an openness to wide tonal shifts alien to ordinary genre films. Needless to say, this development hasn’t been greeted with cheers everywhere. Nor have any artsploitation films become major U.S. hits.

However, many have found an enthusiastic cult audience, especially on DVD. If artsploitation films have one thing in common, it’s restoring pain to screen violence. In a American context, that’s what’s most interesting and valuable about them. In Doug Liman’s popular Brad Pitt/Angelina Jolie vehicle “Mr. and Mrs. Smith,” murder has less moral, emotional, or even physical weight than a fender-bender; the privileges of stardom include the right to kill without consequences. Its violence is antiseptic."--Steve Erickson reviewing Park Chan-wook's Sympathy for Mr. Vengeance[1]

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Artsploitation (portmanteau of art and exploitation) is a genre of art with lots of gratuitous sex or violence.

The neologism was possibly coined by Steve Erickson in his review of Park Chan-wook's Sympathy for Mr. Vengeance for Gay City News. He cites Takashi Miike's Audition (1999) and Catherine Breillat's Fat Girl (2001).

In the United States, since the mid 1990s, the names Quentin Tarantino and Matthew Bright (Freeway (1996)) are associated with the term artsploitation.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Artsploitation" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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