Attitudes (Lady Hamilton)  

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:''[[tableaux vivants]]'' :''[[tableaux vivants]]''
-As Sir [[William Hamilton]]'s mistress, [[Emma Hamilton]] developed what she called her "[[Attitudes]]", using [[George Romney]]'s idea of combining classical poses with modern allure as the basis for her act. This eventual cross between postures, dance, and acting, was first revealed in Spring 1787 by Sir William to a large group of European guests at his home in [[Naples]], who quickly took to this new form of entertainment - guessing the names of the classical characters and scenes which Emma portrayed.+As Sir [[William Hamilton]]'s mistress, [[Emma Hamilton]] developed what she called her "[[Attitudes (Lady Hamilton) |Attitudes]]", using [[George Romney]]'s idea of combining classical poses with modern allure as the basis for her act. This eventual cross between postures, dance, and acting, was first revealed in Spring 1787 by Sir William to a large group of European guests at his home in [[Naples]], who quickly took to this new form of entertainment - guessing the names of the classical characters and scenes which Emma portrayed.
For her "Attitudes", Emma had her dressmaker make dresses modelled on those worn by peasant islanders in the Bay of Naples, and on loose-fitting garments such as she wore when modelling for Romney. The performance was a sensation across [[Europe]]. Using a few shawls, she posed as various classical figures from [[Medea]] to [[Queen Cleopatra]], and her performances charmed aristocrats, artists such as [[Élisabeth-Louise Vigée-Le Brun]], writers — including the great [[Johann Wolfgang von Goethe]] — and kings and queens alike, setting off new dance trends across Europe and starting a fashion for a draped [[Greeks|Grecian]] style of dress. For her "Attitudes", Emma had her dressmaker make dresses modelled on those worn by peasant islanders in the Bay of Naples, and on loose-fitting garments such as she wore when modelling for Romney. The performance was a sensation across [[Europe]]. Using a few shawls, she posed as various classical figures from [[Medea]] to [[Queen Cleopatra]], and her performances charmed aristocrats, artists such as [[Élisabeth-Louise Vigée-Le Brun]], writers — including the great [[Johann Wolfgang von Goethe]] — and kings and queens alike, setting off new dance trends across Europe and starting a fashion for a draped [[Greeks|Grecian]] style of dress.

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As Sir William Hamilton's mistress, Emma Hamilton developed what she called her "Attitudes", using George Romney's idea of combining classical poses with modern allure as the basis for her act. This eventual cross between postures, dance, and acting, was first revealed in Spring 1787 by Sir William to a large group of European guests at his home in Naples, who quickly took to this new form of entertainment - guessing the names of the classical characters and scenes which Emma portrayed.

For her "Attitudes", Emma had her dressmaker make dresses modelled on those worn by peasant islanders in the Bay of Naples, and on loose-fitting garments such as she wore when modelling for Romney. The performance was a sensation across Europe. Using a few shawls, she posed as various classical figures from Medea to Queen Cleopatra, and her performances charmed aristocrats, artists such as Élisabeth-Louise Vigée-Le Brun, writers — including the great Johann Wolfgang von Goethe — and kings and queens alike, setting off new dance trends across Europe and starting a fashion for a draped Grecian style of dress.

Attitudes were taken up by several other (female) artists, among them Ida Brun from Denmark, who became Emmas successor. The famed sculptor Alberto Thorvaldsen admired her art. Attitudes was, of course, a form of "mime art", which disappeared for a long time, only to surface again in the 20th century. Emma developed her Attitudes from mere poses to small, wordless plays - in her later years she excelled as Medea.

Emma was also a talented amateur singer. She sang the solo part of Haydns Nelson Mass and entertained guests at her home. At one point, the Royal Opera in Madrid tried to engage her for a season, in competition with their star, Angelica Catalani, but that offer was turned down.

Marriage to Sir William Hamilton

Sir William was smitten with Emma and, to Greville's shock, married her on 6 September 1791 at Saint Mary-le-bone, Middlesex, England. This gave her the title Lady Hamilton. At the time of their marriage Saint Mary-le-bone Parish was one of the largest in England. It is interesting to note that despite all her name changes during her early life when she married she used her birth name of Amy Lyons.

The meeting with Nelson

Lady Hamilton became a close friend of Queen Maria Carolina, wife of Ferdinand I of Naples. As wife of the British Envoy, Emma welcomed Nelson in 1793, when he came to gather reinforcements against the French. He returned to Naples five years later, on 22 September 1798 (with his eighteen-year-old stepson, Josiah), a living legend, after his victory at the Battle of the Nile in Aboukir. However, Nelson's adventures had prematurely aged him: he had lost an arm and most of his teeth, and was afflicted by coughing spells. Emma reportedly flung herself upon him in admiration, calling out, "Oh God, is it possible?", as she fainted against him. Nelson wrote effusively of Emma to his increasingly estranged wife, Lady Fanny Nelson. Emma and Sir William escorted Nelson to their home - the Palazzo Sessa.

Emma nursed Nelson under her husband's roof, and arranged a party with 1,800 guests to celebrate his 40th birthday. They soon fell in love and their affair seems to have been tolerated, and perhaps even encouraged, by the elderly Sir William, who showed nothing but admiration and respect for Nelson, and vice-versa. Emma Hamilton and Horatio Nelson were by now the two single most famous Brits in the world. They were not only in love with each other, but admired each other to the point of adulation. They were, so to speak, also in love with both their own fame, and that of their lover.

Emma had by then become not only a close personal friend of Queen Maria Carolina, but had developed into an important political influence. She adviced the Queen on how to react to the threats from the French Revolution. Maria Carolina's sister Marie Antoinette had fallen a victim to the Revolution. In 1799 Naples was the scene of a strange revolution, led by members of the aristocracy. The people did not care for the revolution. French troops were welcomed and the Royal family fled to Sicily. From here Nelson tried to help the Royal family put down the revolutionaries. He had absolutely no support from the British government. He even executed one of the leaders of the revolution, the admiral Caracciolo. Emma Hamilton tried to create a parallel between the revolution in Naples and the Irish uprising in 1798.


On Nelson's recall to Britain shortly afterwards, Nelson, Emma and William took the longest possible route back to Britain via Central Europe (hearing the Missa in Angustiis by Joseph Haydn that now bears Nelson's name in Vienna in 1800), and eventually arrived in Britain later in 1800 to a hero's welcome. The three then lived together openly, and the affair became public knowledge, which eventually induced the Admiralty to send Nelson back to sea, if only to get him away from Emma. Nelson perhaps had the idea that he could divorce his wife only after a decisive victory. Sir William also remained an obstacle. In fact the two lovers, who both loved and respected Hamilton, had to wait for his death to even contemplate marriage. Emma would not even consider the possibility of divorce. That would taint her for life, and, even worse, taint Nelson.

Emma gave birth to Nelson's daughter Horatia, on 31 January 1801 at Sir William's rented home in Clarges Street, 23 Piccadilly, London. By the autumn of the same year, Nelson bought Merton Place, a small ramshackle house on the outskirts of modern day Wimbledon. There he lived openly with Emma, Sir William, and Emma's mother, in a ménage à trois that fascinated the public. The newspapers reported on their every move, looking to Emma to set fashions in dress, home decoration and even dinner party menus. But Emmas great days were over. She had become obese, and Nelson did not like the social life she craved. She had turned down the offer from the Royal Opera in Madrid to sing for money. Now she and Nelson tried to create a new, quieter life.

Sir William died in 1803 and Nelson returned to sea soon after, leaving Emma pregnant with their second child (by Nelson). She was desperately lonely, preoccupied with attempting to turn Merton Place into the grand home Nelson desired, and frantic for his return. The child, a girl, died a few weeks after her birth in early 1804. Emma reportedly distracted herself by gambling, and spending lavishly. Now she was free to marry Nelson, if he could only obtain a divorce.

The final years

After Nelson's death in 1805, Emma quickly exhausted the small pension Sir William had left her, and fell deeply into debt. Nelson had willed his estate to his brother; he gave Merton Place to Emma, but she depleted her finances by trying to keep it up as a monument to him. In spite of Nelson's status as a national hero, the instructions he left to the government to provide for Emma and Horatia were ignored. They showered honours on Nelson's brother instead.

Emma was to spend a year in a virtual debtor's prison, in the company of Horatia, before moving to France to try to escape her creditors. Turning to drink, she died in poverty of amoebic dysentery, an illness she probably picked up in her years living in Naples (Sir William Hamilton also suffered from this) in Calais, in January 1815.

Horatia subsequently married the Rev. Philip Ward, and lived until 1881. She had ten children: Horatio Nelson (born 8 December 1822); Eleanor Phillipa (born April 1824); Marmaduke Philip Smyth (born 27 May 1825); John James Stephen (13 February 1827–1829); Nelson (born 8 May 1828); William George (born 8 April 1830); Edmund Nelson (1831); Horatia Nelson (born 24 November 1833), Philip (born May 1834) and Caroline (born January 1836).

Horatia never publically recognized that she was indeed the daughter of Emma Hamilton.




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