Aztec art
From The Art and Popular Culture Encyclopedia
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In Aztec culture, song and poetry were highly regarded; there were presentations and poetry contests at most of the Aztec festivals. There were also dramatic presentations that included players, musicians and acrobats.
A remarkable amount of this poetry survives, having been collected during the era of the conquest. In some cases poetry is attributed to individual authors, such as Nezahualcoyotl, tlatoani of Texcoco, and Cuacuauhtzin, Lord of Tepechpan, but whether these attributions reflect actual authorship is a matter of opinion. Miguel León-Portilla, a well-respected Aztec scholar of Mexico, has stated that it is in this poetry where we can find the real thought of the Aztecs, independent of "official" Aztec ideology.
"Poetry" was in xochitl in cuicatl a dual term meaning "the flower and the song" and was divided into different genres. Yaocuicatl was devoted to war and the god(s) of war, Teocuicatl to the gods and creation myths and to adoration of said figures, xochicuicatl to flowers (a symbol of poetry itself and indicative of the highly metaphorical nature of a poetry that often utilized duality to convey multiple layers of meaning). "Prose" was tlahtolli, also with its different categories and divisions (Garganigo et al.).
The most important collection of these poems is Romances de los señores de la Nueva España, collected (Tezcoco 1582), probably by Juan Bautista de Pomar. Bautista de Pomar was the great-grandson of Netzahualcoyotl. He spoke Nahuatl, but was raised a Christian and wrote in Latin characters. (See also: "Is It You?", a short poem attributed to Netzahualcoyotl, and "Lament on the Fall of Tenochtitlan", a short poem contained within the "Anales de Tlatelolco" manuscript.)
