Barbizon school
From The Art and Popular Culture Encyclopedia
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The Barbizon school (circa 1830–1870) of painters is named after the village of Barbizon near Fontainebleau Forest, France, where the artists gathered.
The Barbizon painters were part of a movement towards realism in art in reaction to the more formalized romantic movement of the time.
In 1824 the Salon de Paris exhibited works of John Constable. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events.
During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings.
One of them, Jean-François Millet, extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), Millet portrays three peasant women working at the harvest. There is no drama and no story told, merely three peasant women in a field.
The leaders of the Barbizon school were Jean-Baptiste Camille Corot, Théodore Rousseau, Jean-François Millet and Charles-François Daubigny; other members included Jules Dupré, Narcisse Virgilio Diaz, Henri Harpignies, Félix Ziem and Alexandre DeFaux.
Both Rousseau (1867) and Millet (1875) died at Barbizon.
See also
- Gustave Courbet
- Jean-Baptiste-Camille Corot
- Karl Bodmer
- Hippolyte Boulenger
- H. I. Marlatt
- American Barbizon school
- Art colony
- Naturalism (art)
- landscape art
- Macchiaioli
