Belle de Jour (film)  

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Belle de Jour (1967) is a French-Italian film directed by Luis Buñuel, and starring Catherine Deneuve, Jean Sorel, and Michel Piccoli. Based on the 1928 novel Belle de jour by Joseph Kessel, the film is about Séverine Serizy (Deneuve), a young woman who has masochistic daydream fantasies about elaborate floggings and bondage and who spends her midweek afternoons as a high-class prostitute, while her husband is at work.

The title of the film is a play on words on the French term belle de nuit ("beauty of the night", i.e., a prostitute), as Séverine works during the day under the pseudonym "Belle de Jour". Her nickname can also be interpreted as a reference to the French name of the morning glory (Convolvulaceae), meaning "beauty of [the] day", a flower that blooms only during the day.

Plot

Séverine Serizy is a young, beautiful Paris housewife who has masochistic daydream fantasies about elaborate floggings and bondage. She is married to a doctor (Jean Sorel) and loves him, but cannot share physical intimacy with him. A male friend mentions a high-class brothel to Séverine, and soon she secretly tries to work there during the afternoon (using the pseudonym Belle de jour). The brothel is run by Madame Anaïs, (Geneviève Page). Séverine will only work from two to five o'clock each day, returning to her blissfully unaware husband in the evening, but she attends only intermittently.

As the film progresses Séverine becomes entangled with Marcel, a young gangster, who offers her the thrills and excitement contained in her fantasies. The situation becomes more complicated when Séverine decides to leave the brothel, with Madame AnaÏs' agreement, after finding Marcel has become too demanding, and jealous of her husband. Husson has also discovered her secret as a potential, though unwilling, client. One of the gangster's associates tracks Séverine to her home address. Marcel visits her, and threatens to reveal her hidden identity, but Séverine persuades him to leave.

He waits outside for her husband to return home and shoots him three times before escaping and eventually being shot by the police. Séverine's husband survives the event, but is left in a coma. The police are unable to find a motive for the attempted murder of Séverine's husband, but after he leaves hospital, now blind and in a wheelchair, Husson visits him, and may have told him the truth.

The film ends with Séverine escaping into fantasy once more; this time however there are no sexual undertones. Her husband is healthy again and they kiss before looking out the window on to the opening scene of the film.

Cast

Awards

The film won the Golden Lion at the Venice Film Festival in 1967.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Belle de Jour (film)" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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