Bernard Le Bovier de Fontenelle  

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"His uncle and god-father, Thomas Corneille, directed his first literary steps in the paper entitled Le Mercure Galant, and guided him in his early attempts in histrionic writing. Racine and Boileau ridiculed this fledgling, this finical, backward Normandy provincial, who arrived by coach in Paris in the nick of time to find himself hissed in a musical tragedy, and applauded in his sonnet on Orontes. However, in Fontenelle's first work in prose (The New Dialogues of the Dead, published in 1683), his philosophical tendency began to make itself manifest, foreshadowing the heights he might some day attain. This production contains, under a somewhat cold but ingenious and elegant style, liberal and unconstrained thoughts in relation to human folly. With a cool sagacity, he discourses on the foolishness of humanity, as exemplified throughout all ages in the different beliefs and the diverse modes of apparel. The famous discussion on the Superiority of Ancient to Modern Times, was on the eve of breaking out. Fontenelle, in his Dialogue between Socrates and Montaigne, touched on this point with a few telling strokes, worthy of the pen of a Saint-Evremond. But Boileau was neither sufficiently patient nor philosophical to seek to enjoy a healthy thought if expressed in a style essentially unhealthy ; and in his first works,Fontenelle presented to his readers truth enclosed, so to speak, in a bonbonnière, absolutely as if he were offering them sugar-plums or pastils. Or, if another illustration is preferred, his philosophy was arranged as a minuet on the melodies of M. de Benserade. " --The essays of Sainte-Beuve[1]

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Kunstformen der Natur (1904) by Ernst Haeckel
Kunstformen der Natur (1904) by Ernst Haeckel

Bernard Le Bovier de Fontenelle (11 February 1657 - 9 January 1757), also called Bernard Le Bouyer de Fontenelle, was a French author. Isaiah Berlin said Fontenelle "was the most civilized man of his time, and indeed of most times." He is known for such works as Conversations on the Plurality of Worlds (1686).



Fontenelle was born in Rouen, France (then the capital of Normandy) and died in Paris just one month before his 100th birthday. His mother was the sister of great French dramatists Pierre and Thomas Corneille. He trained in the law but gave up after one case, devoting his life to writing about philosophers and scientists, especially defending the Cartesian tradition.

He was educated at the college of the Jesuits, the Lycée Pierre Corneille (although it did not adopt the name of his uncle (Pierre Corneille) until 1873, about 200 years later). At the Lycée he showed a preference for literature and distinguished himself.

Early work

He began as a poet, writing a poem in Latin at the age of 13 and more than once competed for prizes of the Académie française, but he never won anything. He visited Paris from time to time and became friendly with the abbé de Saint-Pierre, the abbé Vertot and the mathematician Pierre Varignon. He witnessed, in 1680, the total failure of his tragedy Aspar. Fontenelle afterwards acknowledged the public verdict by burning his unfortunate drama. His opera of Thétis et Pélée ("Thetis and Peleus"), 1689, though highly praised by Voltaire, was not much better; and it may be significant that none of his dramatic works are still performed. His Poésies pastorales (1688) are also mediocre.

His Lettres galantes du chevalier d'Her ..., published anonymously in 1685, was a collection of letters portraying worldly society of the time. It immediately made its mark. In 1686 his famous allegory of Rome and Geneva, slightly disguised as the rival princesses Mreo and Eenegu, in the Relation de l'île de Bornéo, gave proof of his daring in religious matters. But it was by his Nouveaux Dialogues des morts (1683) that Fontenelle established a genuine claim to high literary rank; and that claim was enhanced three years later by what has been summarised as the most influential work on the plurality of worlds in the period, Entretiens sur la pluralité des mondes (1686). He wrote extensively on the nature of the universe: Behold a universe so immense that I am lost in it. I no longer know where I am. I am just nothing at all. Our world is terrifying in its insignificance.

Later work

Fontenelle had made his home in Rouen, but in 1687 he moved to Paris; and in the same year he published his Histoire des oracles, a book which made a considerable stir in theological and philosophical circles. It consisted of two essays, the first of which was designed to prove that oracles were not given by the supernatural agency of demons, and the second that they did not cease with the birth of Jesus. It excited the suspicion of the Church, and a Jesuit, by name Jean-François Baltus, published a ponderous refutation of it; but the peace-loving disposition of its author impelled him to leave his opponent unanswered. To the following year (1688) belongs his Digression sur les anciens et les modernes, in which he took the modern side in the controversy then raging; his Doutes sur le système physique des causes occasionnelles (against Nicolas Malebranche) appeared shortly afterwards.

He remained influential in his older years and when a then unknown Jean-Jacques Rousseau met him in 1742, when Fontenelle was 85, he passed on the advice he gave all young writers that came to him: "You must courageously offer your brow to laurel wreaths and your nose to blows."

A noted gourmand, he attributed his longevity to eating strawberries. At ninety-two one woman wrote that he was as lively as a man of twenty-two. When, in his late nineties he met the beautiful Madame Helvétius, he reportedly told her, "Ah Madame, if only I were eighty again!"

Member of the French Academy

In 1691 he was received into the French Academy in spite of the determined efforts of the partisans of the "ancients", especially Racine and Boileau, who on four previous occasions had ensured his rejection. He was thus a member both of the Academy of Inscriptions and of the Academy of Sciences; and in 1697 he became perpetual secretary to the latter, an office he held for forty-two years; and it was in this official capacity that he wrote the Histoire du renouvellement de l'Académie des Sciences (Paris, 3 vols., 1708, 1717, 1722) containing extracts and analyses of the proceedings, and also the éloges of the members, written with great simplicity and delicacy. Perhaps the best known of his éloges, of which there are sixty-nine in all, is that of his uncle Pierre Corneille. This was first printed in the Nouvelles de la republique des lettres (January 1685) and, as Vie de Corneille, was included in all the editions of Fontenelle's Œuvres. The other important works of Fontenelle are his Éléments de la géometrie de l'infini (1727) and his Théorie des tourbillons (1752).

He is noted for the accessibility of his work – particularly its novelistic style. This allowed non-scientists to appreciate scientific development in a time where this was unusual, and scientists to benefit from the thoughts of the greater society. If his writing is often seen as trying to popularize the astronomical theories of René Descartes, whose greatest exponent he is sometimes considered, it also appealed to the literate society of the day to become more involved in "natural philosophy," thus enriching the work of early-Enlightenment scientists.


Fontenelle was a popular figure in the educated French society of his period, holding a position of esteem comparable only to that of Voltaire. Unlike Voltaire however, Fontenelle avoided making important enemies. He balanced his penchant for universal critical thought with liberal doses of flattery and praise to the appropriate individuals in aristocratic society.

Fontenelle forms a link between two very widely different periods of French literature, that of Corneille, Racine and Boileau on the one hand, and that of Voltaire, D'Alembert and Diderot on the other. It is not in virtue of his great age alone that this can be said of him; he actually had much in common with the beaux esprits of the 17th century, as well as with the philosophes of the 18th. But it is to the latter rather than to the former period that he properly belongs.

According to Charles Augustin Sainte-Beuve, he deserves a place "dans la classe des esprits infiniment distingués"—distinguished, however, it ought to be added by intelligence rather than by intellect, and less by the power of saying much than by the power of saying a little well.

There have been several collected editions of Fontenelle's works, the first being printed in 3 vols. at the Hague in 1728–1729. The best is that of Paris, in 8 vols., 1790. Some of his separate works have been frequently reprinted and also translated. The Pluralité des mondes was translated into modern Greek in 1794. Sainte-Beuve has an interesting essay on Fontenelle, with several useful references, in the Causeries du lundi, vol. iii. See also Villemain, Tableau de la littérature française au XVIIIe siècle; the abbé Trublet, Mémoires pour servir à l'histoire de la vie et des ouvrages de M. de Fontenelle (1759); A Laborde-Milaà, Fontenelle (1905), in the "Grands écrivains français" series; and L. Maigron, Fontenelle, l'homme, l'œuvre, l'influence (Paris, 1906).

His Dialogues of the dead show both his erudition and wit, by presenting invented – but plausible – dialogues between dead ancients, dead moderns and a whole book devoted to dialogues between an ancient and a modern. To Montaigne asking him if some centuries had more wise men than other, Socrates answers sadly that "The general order of natures seems very constant". In one of the books Roxelane and Anne Boleyn discuss about politics and the way for a woman to decide a man to marry her. The dialog between Montezuma and Cortez allows the former to dismiss some myths about the wisdom in ancient Greece by quoting some counter-examples.

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