Black Like Me  

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Black Like Me is a non-fiction book by journalist John Howard Griffin first published in 1961. Griffin was a white native of Mansfield, Texas and the book describes his six-week experience travelling on Greyhound buses (occasionally hitchhiking) throughout the racially segregated states of Louisiana, Mississippi, Alabama and Georgia passing as a black man. Sepia Magazine financed the project in exchange for the right to print the account first as a series of articles.

Griffin kept a journal of his experiences; the 188-page diary was the genesis of the book.

In 1959, at the time of the book's writing, race relations were particularly strained in America; Griffin's aim was to explain the difficulties facing black people in certain areas. Under the care of a doctor, Griffin artificially darkened his skin to pass as a black man.

In 1964, a film version of Black Like Me starring James Whitmore was produced, although it ended up being a bust.

Robert Bonazzi subsequently published the book Man in the Mirror: John Howard Griffin and the Story of Black Like Me.

The title of the book is taken from the last line of the Langston Hughes poem "Dream Variations":

Rest at pale evening...
A tall slim tree...
Night coming tenderly
Black like me.

Contents

Account of the trip

In the autumn of 1959, John Howard Griffin went to a friend's house in New Orleans, Louisiana. Once there, under the care of a dermatologist, Griffin underwent a regimen of large oral doses of the anti-vitiligo drug Methoxsalen, trade name Oxsoralen, and spending up to fifteen hours daily under an ultraviolet lamp. (Vitiligo is a disease that causes lightening of the skin and is most noticeable among people of African ancestry.)

To complete the illusion, Griffin used dyes to cover uneven areas and closely cut his hair. He also shaved the back of his hands to further protect his guise.

During his trip Griffin made it a rule that he would not change his name or alter his identity; if asked who he was or what he was doing, he would tell the truth. In the beginning, he decided to talk as little as possible to ease his transition into the "black world", i.e., the social milieu of southern U.S. blacks. He became accustomed everywhere to the "hate stare" received from whites.

After he disguised himself, many people who knew John Howard Griffin as a white man did not recognize him. A shoeshine man named Sterling Williams in the French Quarter, a man whom Griffin regarded as a friend, made no connection with his looks now that he was black. The only way Sterling realized it was Griffin was because he recognized his shoes, and Griffin opened up to him, explaining his research.

In New Orleans, a black counterman at a small restaurant chatted with Griffin about the difficulties of finding a place to go to the bathroom. He turned a question about a Catholic church into a joke about "spending much of your time praying for a [rest room]".

An episode on the bus reveals the climate of the times. Griffin began to give his seat to a white lady on the bus, but disapproving looks from black passengers stopped him. He thought he had a momentary breakthrough with the lady, but she insulted him and began talking with other white passengers about how sassy "they" were becoming.

Reaction

After the book was published, Griffin received many letters of support, helping him to get through this difficult period in his life.

After the publication of Black Like Me, Griffin became a national celebrity for a time. In a 1975 essay included in later editions of the book, Griffin described the hostility and threats to himself and his family which emerged in his Texas hometown. He eventually was forced to move out of America and went to Mexico.

In popular culture

Malcolm X makes reference to this book in his Autobiography

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Black Like Me" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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