Albert Boime
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- "This blurring of stylistic boundaries is best expressed in Ingres' Apotheosis of Homer and Eugène Delacroix's Death of Sardanapalus (both Museé du Louvre, Paris), which polarized the public at the Salon of 1827 in Paris."[1]
- "The Salon of 1827-1828 The last and most important of the Restoration Salons was that of 1827, which crystallized the classic-romantic polarity and heralded the arrival of the eclectics, or those painters who would try to reconcile the rival schools." --Art in an age of counterrevolution, 1815-1848 by Albert Boime
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