Charlotte Corday  

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The Death of Marat (1793) by Jacques-Louis David
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The Death of Marat (1793) by Jacques-Louis David

What I have to say cannot be said in writing
I want to stand in front of him and look at him
[amorously]
I want to see his body tremble and his forehead bubble with sweat
I want to thrust right between his ribs the dagger which I carry between my breasts
[obsessively]
I shall take the dagger in both hands
and push it through his flesh
and then I will hear
[approaches MARAT]
what he has got to say to me
[She stands directly in front of the bath.
She raises dagger and is poised to strike.
SIMONNE stands paralysed.
SADE rises from his seat.]

--Charlotte Corday in Marat/Sade (1964)

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Charlotte Corday (1768 – 1793) was a French aristocrat executed in 1793 by guillotine for the assassination of Jacobin leader Jean-Paul Marat, who was in part responsible for the more radical course the Revolution had taken through his role as a politician and journalist.

Marat had played a substantial role in the political purge of the Girondins, with whom Corday sympathized. His murder was depicted in the painting The Death of Marat by Jacques-Louis David, which shows Marat's dead body after Corday had stabbed him in his medicinal bath.

In Peter Weiss's Marat/Sade, the assassination of Marat is presented as a play, written by the Marquis de Sade, to be performed by inmates of the asylum at Charenton, for the public; the patient performing the role of Corday in the play-within-a-play (Glenda Jackson in the stage production and subsequent film adaptation) is, somewhat ironically, a narcoleptic.




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Charlotte Corday" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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