Cinema 2: The Time-Image  

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Cinema 2: The Time-Image (1985, French: Cinéma II: L'image-temps) is a film theory book by the philosopher Gilles Deleuze combining philosophy with film criticism.


Gilles Deleuze's Cinema 2

First Sentence:
Against those who defined Italian neo-realism by its social content, Bazin put forward the fundamental requirement of formal aesthetic criteria.
Key Phrases - Capitalized Phrases (CAPs):
Marguerite Duras, Last Year, Citizen Kane, First Name Carmen, Jerry Lewis, The Man Who Lies, Van Gogh, Della Nube, The Trial, Battleship Potemkin, Jean-Louis Schefer, Lola Montez, Michel Chion, The General Line, Three Things, Three Wives, Touch of Evil, Anna Magdalena, Buster Keaton, Fortini/Cani, Space Odyssey, The Barefoot Contessa, The Leopard, Brice Parain, Carmelo Bene

Cineosis

Deamer coins the term "cineosis" to describe Deleuze's "cinematic semiosis", designating the images and the images with signs.

ImageTemplate:Ref label Sign Film Examples (DD)Template:Ref label
Opsigns and sonsigns Five
Hyalosigns mirrors face-to-face Black Swan
limpid and opaque Self Made
seed and environment Synecdoche, New York
Chronosigns sheets of the past Russian Ark
peaks of the present Uncle Boonmee Who Can Recall His Past Lives
powers of the false 24 City
Noosigns body of attitude I'm Not There
body of gest Police, Adjective
cinema of the brain Dogville
Lectosigns Enter the Void
Notes

See also

Gilles Deleuze on film





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