Cinema 2: The Time-Image
From The Art and Popular Culture Encyclopedia
(Redirected from Cinema 2)
Related e |
Featured: |
Cinema 2: The Time-Image (1985, French: Cinéma II: L'image-temps) is a film theory book by the philosopher Gilles Deleuze combining philosophy with film criticism.
Gilles Deleuze's Cinema 2
- First Sentence:
- Against those who defined Italian neo-realism by its social content, Bazin put forward the fundamental requirement of formal aesthetic criteria.
- Key Phrases - Capitalized Phrases (CAPs):
- Marguerite Duras, Last Year, Citizen Kane, First Name Carmen, Jerry Lewis, The Man Who Lies, Van Gogh, Della Nube, The Trial, Battleship Potemkin, Jean-Louis Schefer, Lola Montez, Michel Chion, The General Line, Three Things, Three Wives, Touch of Evil, Anna Magdalena, Buster Keaton, Fortini/Cani, Space Odyssey, The Barefoot Contessa, The Leopard, Brice Parain, Carmelo Bene
[edit]
Cineosis
Deamer coins the term "cineosis" to describe Deleuze's "cinematic semiosis", designating the images and the images with signs.
ImageTemplate:Ref label | Sign | Film Examples (DD)Template:Ref label |
---|---|---|
Opsigns and sonsigns | Five | |
Hyalosigns | mirrors face-to-face | Black Swan |
limpid and opaque | Self Made | |
seed and environment | Synecdoche, New York | |
Chronosigns | sheets of the past | Russian Ark |
peaks of the present | Uncle Boonmee Who Can Recall His Past Lives | |
powers of the false | 24 City | |
Noosigns | body of attitude | I'm Not There |
body of gest | Police, Adjective | |
cinema of the brain | Dogville | |
Lectosigns | Enter the Void | |
Notes [edit] See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Cinema 2: The Time-Image" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
|