Experiments with cinematic time
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| - | :''See [[reverse chronology]], [[Nonlinear (arts)|nonlinearity]]'' | + | :''See [[reverse chronology]], [[Nonlinear_(arts)#Film|nonlinearity in film]]'' |
| '''Experiments with cinematic time''' is a concept in cinema concerned with [[fragmentation]] of [[narrative]] and [[nonlinearity]]. Has cinematic time influenced literature? See ''[[Time's Arrow]]''. | '''Experiments with cinematic time''' is a concept in cinema concerned with [[fragmentation]] of [[narrative]] and [[nonlinearity]]. Has cinematic time influenced literature? See ''[[Time's Arrow]]''. | ||
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Experiments with cinematic time is a concept in cinema concerned with fragmentation of narrative and nonlinearity. Has cinematic time influenced literature? See Time's Arrow.
Some films experimenting with cinematic time areRashomon (1950), Last Year at Marienbad (1961), Run Lola Run (1998), Groundhog Day (1993), Memento (2000), Irréversible (2002)
Some films concerned with time travel areLa Jetée (1962), The Terminator (1984) and Back to the Future (1985)
Further reading
The Emergence of Cinematic Time : Modernity, Contingency, the Archive (2002) by Mary Ann
External links
Doane
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Experiments with cinematic time" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
