Experiments with cinematic time
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| - | :''See [[reverse chronology]], [[Nonlinear_(arts)#Film|nonlinearity in film]]'' | + | :''See [[reverse chronology]], [[Nonlinear_(arts)#Film|nonlinearity in film]], [[timeline of nonlinear films]]'' |
| '''Experiments with cinematic time''' is a concept in cinema concerned with [[fragmentation]] of [[narrative]] and [[nonlinearity]]. Has cinematic time influenced literature? The case of ''[[Time's Arrow]]'' is an interesting one. The novel the mimics of playing a film backwards. | '''Experiments with cinematic time''' is a concept in cinema concerned with [[fragmentation]] of [[narrative]] and [[nonlinearity]]. Has cinematic time influenced literature? The case of ''[[Time's Arrow]]'' is an interesting one. The novel the mimics of playing a film backwards. | ||
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Experiments with cinematic time is a concept in cinema concerned with fragmentation of narrative and nonlinearity. Has cinematic time influenced literature? The case of Time's Arrow is an interesting one. The novel the mimics of playing a film backwards.
Some films experimenting with cinematic time are Rashomon (1950), Last Year at Marienbad (1961), Run Lola Run (1998), Groundhog Day (1993), Memento (2000), Irréversible (2002)
Some films concerned with time travel areLa Jetée (1962), The Terminator (1984) and Back to the Future (1985)
Further reading
The Emergence of Cinematic Time : Modernity, Contingency, the Archive (2002) by Mary Ann Doane
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Experiments with cinematic time" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
