Contemporary art  

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"The Institute of Contemporary Arts in London, founded in 1947, champions art from that year onwards. Whereas The New Museum of Contemporary Art in New York chooses the later date of 1977. In the 1980s, Tate planned a Museum of Contemporary Art in which contemporary art was defined as art of the past ten years on a rolling basis."[1]

Truck Babies, sculpture, 1999, contemporary art by  Patricia Piccinini
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Truck Babies, sculpture, 1999, contemporary art by Patricia Piccinini

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Contemporary art can be defined variously as art produced at the present time or art produced since World War II. The definition of the word contemporary would support the first view, but museums of contemporary art commonly define their collections as consisting of art produced since World War II. Sometimes the distinction between contemporary art and modern art is made - the former is art being created today and the art of roughly since the early seventies, while the latter refers to art from the 1860s until the 1970s.

Contents

Institutions

institutional art

Contemporary art is exhibited by commercial contemporary art galleries, private collectors, art auctions, corporations, publicly funded arts organizations, contemporary art museums or by artists themselves in artist-run spaces. Contemporary artists are supported by grants, awards and prizes as well as by direct sales of their work.

There are close relationships between publicly funded contemporary art organisations and the commercial sector. For instance, in Britain a handful of dealers represent the artists featured in leading publicly funded contemporary art museums.

Individual collectors can wield considerable influence. Charles Saatchi dominated the contemporary art market in Britain during the 1980s and the 1990s; the subtitle of the 1999 book Young British Artists: The Saatchi Decade uses of the name of the private collector to define an entire decade of contemporary art production.

Corporations have attempted to integrate themselves into the contemporary art world: exhibiting contemporary art within their premises, organising and sponsoring contemporary art awards and building up extensive collections of corporate art.

The institutions of art have been criticised for regulating what is designated as contemporary art. Outsider art, for instance, is literally contemporary art, in that it is produced in the present day. However, it is not considered so because the artists are self-taught and are assumed to be working outside of an art historical context. Craft activities, such as textile design, are also excluded from the realm of contemporary art, despite large audiences for exhibitions. Attention is drawn to the way that craft objects must subscribe to particular values in order to be admitted. "A ceramic object that is intended as a subversive comment on the nature of beauty is more likely to fit the definition of contemporary art than one that is simply beautiful." (Peter Timms, What's Wrong with Contemporary Art?, UNSW Press, 2004, p17).

At any one time a particular place or group of artists can have a strong influence on globally produced contemporary art; for instance New York artists in the 1980s.

Public attitudes

Contemporary art can sometimes seem at odds with a public that does not feel that art and its institutions share its values. In Britain, in the 1990s, contemporary art became a part of popular culture, with artists becoming stars, but this did not lead to a hoped-for "cultural utopia". Some critics like Julian Spalding and Donald Kuspit have suggested that skepticism, even rejection, is a legitimate and reasonable response to much contemporary art.

Concerns

Classificatory disputes about art

A common concern since the early part of the 20th century is the question of what constitutes art. This concern can be seen running through the "modern", "postmodern" and now "conceptual" periods. The concept of avant-garde may come into play in determining what art is taken notice of by galleries, museums, and collectors. Serious art is ultimately exceedingly difficult to distinguish definitively from art that falls short of that designation.

Contemporary art prizes

Some competitions, awards and prizes in contemporary art are

History

This table lists art movements by decade. It should not be assumed to be conclusive.

1950s

1960s

1970s

1980s

1990s

2000s

see 21st century art

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Contemporary art" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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