Corydon (character)
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| - | "Greece merged into Rome; but, though the Romans aped the arts and manners of the Greeks, they never truly caught the Hellenic spirit. Even Virgil only trod the court of the Gentiles of Greek culture. It was not, therefore, possible that any social custom so peculiar as paiderastia should flourish on Latin soil. Instead of Cleomenes and Epameinondas, we find at Rome, Nero, the bride of Sporus, and Commodus the public prostitute. Alcibiades is replaced by the Mark Antony of Cicero's Philippic. [[Corydon (character)|Corydon]], with artificial notes, takes up the song of Ageanax. The melodies of Meleager are drowned in the harsh discords of Martial. Instead of love, lust was the deity of the boy-lover on the shores of Tiber." --''[[A Problem in Greek Ethics]]'' (1883) by John Addington Symonds | + | "[[Greco-Roman relations in classical antiquity |Greece merged into Rome]]; but, though the Romans aped the arts and manners of the Greeks, they never truly caught the [[Hellenic]] spirit. Even [[Virgil]] only trod the court of the [[Gentiles]] of [[Greek culture]]. It was not, therefore, possible that any social custom so peculiar as [[paiderastia]] should flourish on Latin soil. Instead of [[Cleomenes]] and [[Epameinondas]], we find at Rome, Nero, the bride of [[Sporus]], and [[Commodus]] the public prostitute. [[Alcibiades]] is replaced by the [[Mark Antony]] of Cicero's [[Philippic]]. [[Corydon (character)|Corydon]], with artificial notes, takes up the song of [[Ageanax]]. The melodies of [[Meleager]] are drowned in the harsh discords of [[Martial]]. Instead of love, lust was the deity of the boy-lover on the shores of Tiber." --''[[A Problem in Greek Ethics]]'' (1883) by John Addington Symonds |
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| - | '''Corydon''' (Greek Κορύδων ''Korúdōn'', probably related to [[wikt:κόρυδος|κόρυδος]] ''kórudos'' "lark") is a [[stock character]] name for a [[shepherd]] in ancient Greek [[pastoral|pastoral poem]]s and [[fable]]s, such as the one in Idyll 4 of the Syracusan poet [[Theocritus]] (c. 300 – c. 250 BC). The name was also used by the Latin poets [[Titus Calpurnius Siculus|Siculus]] and, more significantly, [[Virgil]]. In the [[s:Eclogues/Eclogue II|second]] of Virgil's ''[[Eclogues]]'', it is used for a shepherd whose love for the boy Alexis is described therein. Virgil's Corydon gives his name to the modern book [[Corydon (book)|''Corydon'']]. | + | '''Corydon''' (Greek Κορύδων ''Korúdōn'', probably related to [[wikt:κόρυδος|κόρυδος]] ''kórudos'' "lark") is a [[stock character]] name for a [[shepherd]] in ancient Greek [[pastoral|pastoral poem]]s and [[fable]]s, such as the one in Idyll 4 of the Syracusan poet [[Theocritus]] (c. 300 – c. 250 BC). The name was also used by the Latin poets [[Titus Calpurnius Siculus|Siculus]] and, more significantly, [[Virgil]]. In the second of Virgil's ''[[Eclogues]]'', it is used for a shepherd whose love for the boy Alexis is described therein. Virgil's Corydon gives his name to the modern book [[Corydon (book)|''Corydon'']]. |
| Corydon is the name of a character that features heavily in the [[Eclogues of Calpurnius Siculus|Eclogues]] of [[Titus Calpurnius Siculus|Calpurnius Siculus]]. Some scholars believe that Calpurnius represents himself, or at least his "poetic voice" through Corydon, | Corydon is the name of a character that features heavily in the [[Eclogues of Calpurnius Siculus|Eclogues]] of [[Titus Calpurnius Siculus|Calpurnius Siculus]]. Some scholars believe that Calpurnius represents himself, or at least his "poetic voice" through Corydon, | ||
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"Greece merged into Rome; but, though the Romans aped the arts and manners of the Greeks, they never truly caught the Hellenic spirit. Even Virgil only trod the court of the Gentiles of Greek culture. It was not, therefore, possible that any social custom so peculiar as paiderastia should flourish on Latin soil. Instead of Cleomenes and Epameinondas, we find at Rome, Nero, the bride of Sporus, and Commodus the public prostitute. Alcibiades is replaced by the Mark Antony of Cicero's Philippic. Corydon, with artificial notes, takes up the song of Ageanax. The melodies of Meleager are drowned in the harsh discords of Martial. Instead of love, lust was the deity of the boy-lover on the shores of Tiber." --A Problem in Greek Ethics (1883) by John Addington Symonds |
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Corydon (Greek Κορύδων Korúdōn, probably related to κόρυδος kórudos "lark") is a stock character name for a shepherd in ancient Greek pastoral poems and fables, such as the one in Idyll 4 of the Syracusan poet Theocritus (c. 300 – c. 250 BC). The name was also used by the Latin poets Siculus and, more significantly, Virgil. In the second of Virgil's Eclogues, it is used for a shepherd whose love for the boy Alexis is described therein. Virgil's Corydon gives his name to the modern book Corydon.
Corydon is the name of a character that features heavily in the Eclogues of Calpurnius Siculus. Some scholars believe that Calpurnius represents himself, or at least his "poetic voice" through Corydon,
Corydon is mentioned in Edmund Spenser's The Faerie Queen as a shepherd in Book VI, Canto X. In this section he is portrayed as a coward who fails to come to the aid of Pastorell when she is being pursued by a tiger.
The name also appears in poem number 17 ("My flocks feed not, my ewes breed not") of The Passionate Pilgrim, an anthology of poetry first published in 1599 and attributed on the title page of the collection to Shakespeare. This poem appeared the following year in another collection, England's Helicon, where it was attributed to "Ignoto" (Latin for "Unknown"). Circumstantial evidence points to a possible authorship by Richard Barnfield, whose first published work, The Affectionate Shepherd, though dealing with the unrequited love of Daphnis for Ganymede, was in fact, as Barnfield stated later, an expansion of Virgil's second Eclogue which dealt with the love of Corydon for Alexis.
The name is again used for a shepherd boy in an English children's trilogy (Corydon and the Island of Monsters, Corydon and the Fall of Atlantis and Corydon and the Siege of Troy) by Tobias Druitt. [1]
Corydon is also the name of a shepherd in a Christian hymn entitled Pastoral Elegy. The town of Corydon, Indiana is named after the shepherd of that hymn.
Corydon and Thyrsis are a pair of shepherds in Edna St. Vincent Millay's 1920 play, "Aria da Capo". [2]
Corydon is also the name of a 1924 Dialogue by André Gide, in which the discussion of the naturalness and morality of homosexuality and pederasty are linked to the character Corydon, inspired by Virgil.
See also
