Critical Dictionary
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| - | The [[Critical Dictionary]] (French: Dictionnaire critique) was a regular section of the journal ''[[Documents]]''. It offered short essays by Bataille and his colleagues on such subjects as "[[Absolute]]", "[[Eye]]", "Factory Chimney", and "[[Buster Keaton|Keaton (Buster)]]". | + | The [[Critical Dictionary]] (French: Dictionnaire critique) was a regular section of the journal ''[[Documents]]'', a late [[1920s|1920s-era]] [[Surrealist journal]] edited and masterminded by [[Georges Bataille]]. It offered short essays by Bataille and his colleagues on such subjects as "[[Absolute]]", "[[Eye]]", "Factory Chimney", and "[[Buster Keaton|Keaton (Buster)]]". |
| In the entry for aesthete one finds the following sentence: | In the entry for aesthete one finds the following sentence: | ||
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The Critical Dictionary (French: Dictionnaire critique) was a regular section of the journal Documents, a late 1920s-era Surrealist journal edited and masterminded by Georges Bataille. It offered short essays by Bataille and his colleagues on such subjects as "Absolute", "Eye", "Factory Chimney", and "Keaton (Buster)".
In the entry for aesthete one finds the following sentence:
- "When it comes down to it, these words have the power to disturb and to nauseate: after fifteen years, one finds the shoe of a dead woman at the bottom of a cupboard; one throws it in the rubbish bin." [...] The unfortunate who says that art no longer works, because that way one remains disengaged from the 'dangers of action', says something deserving of the same attention as the dead woman's shoe." (translation by Art in Theory).
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